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1 Man of Kent
[,mænəv'kent]уроже́нец восто́чного Ке́нта (реже его житель; ср. Kentishman)English-Russian Great Britain dictionary (Великобритания. Лингвострановедческий словарь) > Man of Kent
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2 man of Kent
Общая лексика: уроженец восточной части графства Кент ((Уроженцев западной части Кента называют Kentishman. Различие появилось после 1066, когда против Вильгельма-Завоевателя выступили лишь жители восточной части графства).) -
3 Kentishman, man of Kent
Хотя оба рождены в английском графстве Kent, они отличаются друг от друга тем, что Kentishman родился к западу от реки Medway, а man of Kent — к востоку от неё. Историческое происхождение различий связано с тем, что жители восточной части графства защищали свою родину от Вильгельма Завоевателя в 1066 г.English-Russian dictionary of expressions > Kentishman, man of Kent
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4 Kent
Kent [kent]Geography le Kent, = comté dans le sud-est de l'Angleterre;∎ in Kent dans le Kent;∎ Man of Kent = natif de la partie est du Kentⓘ THE KENT STATE INCIDENT Il s'agit de l'incident qui eut lieu le 4 mai 1970 sur le campus de Kent State University (dans l'Ohio) entre des étudiants manifestant contre la guerre du Viêt-Nam et la Garde nationale américaine. Quand les manifestants se sont mis à lancer des pierres, la Garde nationale a riposté en tirant sur la foule, tuant quatre personnes et en blessant une dizaine. -
5 Kentishman
['kentɪʃmæn]уроже́нец за́падного Ке́нта (реже его житель; ср. Man of Kent)English-Russian Great Britain dictionary (Великобритания. Лингвострановедческий словарь) > Kentishman
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6 Crampton, Thomas Russell
[br]b. 6 August 1816 Broadstairs, Kent, Englandd. 19 April 1888 London, England[br]English engineer, pioneer of submarine electric telegraphy and inventor of the Crampton locomotive.[br]After private education and an engineering apprenticeship, Crampton worked under Marc Brunel, Daniel Gooch and the Rennie brothers before setting up as a civil engineer in 1848. His developing ideas on locomotive design were expressed through a series of five patents taken out between 1842 and 1849, each making a multiplicity of claims. The most typical feature of the Crampton locomotive, however, was a single pair of driving wheels set to the rear of the firebox. This meant they could be of large diameter, while the centre of gravity of the locomotive remained low, for the boiler barrel, though large, had only small carrying-wheels beneath it. The cylinders were approximately midway along the boiler and were outside the frames, as was the valve gear. The result was a steady-riding locomotive which neither pitched about a central driving axle nor hunted from side to side, as did other contemporary locomotives, and its working parts were unusually accessible for maintenance. However, adhesive weight was limited and the long wheelbase tended to damage track. Locomotives of this type were soon superseded on British railways, although they lasted much longer in Germany and France. Locomotives built to the later patents incorporated a long, coupled wheelbase with drive through an intermediate crankshaft, but they mostly had only short lives. In 1851 Crampton, with associates, laid the first successful submarine electric telegraph cable. The previous year the brothers Jacob and John Brett had laid a cable, comprising a copper wire insulated with gutta-percha, beneath the English Channel from Dover to Cap Gris Nez: signals were passed but within a few hours the cable failed. Crampton joined the Bretts' company, put up half the capital needed for another attempt, and designed a much stronger cable. Four gutta-percha-insulated copper wires were twisted together, surrounded by tarred hemp and armoured by galvanized iron wires; this cable was successful.Crampton was also active in railway civil engineering and in water and gas engineering, and c. 1882 he invented a hydraulic tunnel-boring machine intended for a Channel tunnel.[br]Principal Honours and DistinctionsVice-President, Institution of Mechanical Engineers. Officier de la Légion d'Honneur (France).Bibliography1842, British patent no. 9,261.1845. British patent no. 10,854.1846. British patent no. 11,349.1847. British patent no. 11,760.1849, British patent no. 12,627.1885, British patent no. 14,021.Further ReadingM.Sharman, 1933, The Crampton Locomotive, Swindon: M.Sharman; P.C.Dewhurst, 1956–7, "The Crampton locomotive", Parts I and II, Transactions of the Newcomen Society 30:99 (the most important recent publications on Crampton's locomotives).C.Hamilton Ellis, 1958, Twenty Locomotive Men, Shepperton: Ian Allen. J.Kieve, 1973, The Electric Telegraph, Newton Abbot: David \& Charles, 102–4.R.B.Matkin, 1979, "Thomas Crampton: Man of Kent", Industrial Past 6 (2).PJGRBiographical history of technology > Crampton, Thomas Russell
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7 one
1. noun1) (the number or figure 1: One and one is two (1 + 1 = 2).) uno2) (the age of 1: Babies start to talk at one.) un año
2. pronoun1) (a single person or thing: She's the one I like the best; I'll buy the red one.)2) (anyone; any person: One can see the city from here.)
3. adjective1) (1 in number: one person; He took one book.) un2) (aged 1: The baby will be one tomorrow.) de un año3) (of the same opinion etc: We are one in our love of freedom.) unidos•- one-- oneself
- one-night stand
- one-off
- one-parent family
- one-sided
- one-way
- one-year-old
4. adjective((of a person, animal or thing) that is one year old.) de un año- all one- be one up on a person
- be one up on
- not be oneself
- one and all
- one another
- one by one
- one or two
one1 adj1. unwhy don't we go out together one day soon? ¿por qué no salimos juntos un día de estos?2. único3. mismoone2 num unoone, two, three uno, dos, tresone3 pron1. uno2.which one? ¿cuál?this one / that one éste / ése3. el quetr[wʌn]1 (stating number) un, una2 (unspecified, a certain) un, una, algún,-una3 (only, single) único,-a4 (same) mismo,-a5 (with names) un,-a tal1 (thing) uno,-a■ a red one uno,-a rojo,-a■ this one éste,-a■ that one ése,-a, aquél,-la■ which one? ¿cuál?■ the small one el pequeño, la pequeña■ the other one el otro, la otra2 (drink) una copa3 (person) el, la4 (any person, you) uno, una1 (number) uno\SMALLIDIOMATIC EXPRESSION/SMALLall in one de una (sola) piezaa one un caso■ you are a one! ¡eres un caso!a right one un,-a idiotaas one / as one man como un solo hombre, todos a la vezat one with en armonía conin one (combined, together) a la vez, todo en uno 2 (in only one attempt) de una vez, de un golpe 3 (in one mouthful) de un tragoneither one thing nor the other ni carne ni pescadoone after another / one after the other uno,-a detrás de otro,-aone and all todos,-as, todo el mundoone another el uno al otroone at a time de uno en unoone by one de uno,-a en uno,-a, uno,-a tras otro,-ato be one to... ser dado,-a a..., ser de los/las que...■ I'm not one to gossip no me gusta chismorrear, no soy de las que chismorreanone ['wʌn] adjhe only wants one apple: sólo quiere una manzanahe arrived early one morning: llegó temprano una mañanathey're all members of one team: todos son miembros del mismo equipoone and the same thing: la misma cosa4) some: alguno, alguna; un, unaI'll see you again one day: algún día te veré otra vezat one time or another: en una u otra ocasiónone n1) : uno m (número)from day one: desde el primer momentothe one (girl) on the right: la de la derechahe has the one but needs the other: tiene uno pero necesita el otroone pron1) : uno, unaone of his friends: una de sus amigasone never knows: uno nunca sabe, nunca se sabeto cut one's finger: cortarse el dedo2)one and all : todos, todo el mundo3)one another : el uno al otro, sethey loved one another: se amaban4)that one : aquél, aquella5)which one? : ¿cuál?adj.• igual adj.• solo, -a adj.• un tal adj.• uno, -a adj.• único, -a adj.art.• un art.• una art.n.• uno s.m.pron.• alguno pron.• la una (hora) pron.• uno pron.
I wʌn1)a) ( number) uno mhas anybody got five ones? — ¿alguien tiene cinco billetes de un dólar (or un peso etc)?
to be at one with somebody/something — estar* en paz or en armonía con alguien/algo; see also four I
b) ( elliptical use)it was interesting in more ways than one — fue interesante en más de un sentido/en muchos sentidos
I only want the one — sólo quiero uno/una
did you see many cows? - one or two — ¿viste muchas vacas? - alguna que otra
2) (in phrases)as one: they rose as one se pusieron de pie todos a la vez or como un solo hombre; for one por lo pronto; who's going? - well, I am for one ¿quién va? - yo, por lo pronto; in one: it's a TV and a video in one es televisión y vídeo a la vez or todo en uno; one by one — uno a uno, uno por uno
II
1)a) ( stating number) un, unaone button/pear — un botón/una pera
one thousand, three hundred — mil trescientos
b) (certain, particular)one boy was tall, the other short — uno de los niños era alto, el otro era bajo
2)a) ( single)the one and only Frank Sinatra — el incomparable or inimitable Frank Sinatra
my one and only coat is at the cleaners — el único abrigo que tengo or mi único abrigo está en la tintorería
b) ( same) mismo, mismawe drank out of the one glass cup — bebimos del mismo vaso/de la misma taza
3) ( unspecified) un, una4) ( with names)in the name of one John Smith/Sarah Brown — a nombre de un tal John Smith/una tal Sarah Brown
III
1) ( thing)this one — éste/ésta
that one — ése/ésa
which one? — ¿cuál?
the one on the right/left — el/la de la derecha/izquierda
the ones on the table — los/las que están en la mesa
the blue ones — los/las azules
I want the big one — quiero el/la grande
it's my last one — es el último/la última que me queda
he's had one too many — ha bebido de más, ha bebido más de la cuenta
have you heard the one about... ? — ¿has oído el chiste de... ?
he ate all the apples one after another o the other — se comió todas las manzanas, una detrás de otra
2) ( person)the one on the right's my cousin — el/la de la derecha es mi primo/prima
he's a sly one, that Jack Tibbs — es un zorro ese Jack Tibbs
I'm not one to gossip, but... — no me gustan los chismes pero...
one after another o the other — uno tras otro or detrás de otro
IV
pronoun uno, unaone simply never knows — realmente nunca se sabe or uno nunca sabe
[wʌn]one another — each other, each II 2)
1. ADJ1) (=number) un/una; (before sing noun) un•
the last but one — el penúltimo/la penúltima•
one or two people — algunas personas•
that's one way of doing it — esa es una forma or una de las maneras de hacerlo2) (indefinite) un/una, ciertoone day — un día, cierto día
3) (=sole) único•
no one man could do it — ningún hombre podría hacerlo por sí solo•
the one and only difficulty — la única dificultad4) (=same) mismo•
it's all one — es lo mismoit's all one to me — me da igual, me da lo mismo
5) (=united)•
they all shouted as one — todos gritaron a una•
to become one — casarse•
to be one with sth — formar un conjunto con algo2.N (=figure) uno m•
to be at one (with sb) — estar completamente de acuerdo (con algn)to be at one with o.s. — estar en paz consigo mismo
•
to go one better than sb — tomar la ventaja or la delantera a algn•
she's cook and housekeeper in one — es a la vez cocinera y ama de llavesyou've got it in one! * — ¡y que lo digas! *
•
to be one up — (Sport etc) llevar un punto/gol etc de ventajafast I, 1., 1), quick 1., 3), road 1., 2)that puts us one up — (Sport etc) eso nos da un punto/gol etc de ventaja
3. PRON1) (indefinite) uno/unahave you got one? — ¿tienes uno?
his message is one of pessimism — su mensaje es pesimista, el suyo es un mensaje pesimista
•
one after the other — uno tras otro•
one and all — todos sin excepción, todo el mundo•
one by one — uno tras otro, uno a uno•
I for one am not going — yo, por mi parte, no voy•
not one — ni uno•
one of them — uno de elloshe's one of the group — es del grupo, forma parte del grupo
•
the one..., the other... — uno..., el otro...price of one — precio m de la unidad
2) (specific)this one — este/esta
that one — ese/esa, aquel/aquella
which one do you want? — ¿cuál quieres?
who wants these red ones? — ¿quién quiere estos colorados?
In the past the standard spelling for [este/esta], [ese/esa] and [aquel/aquella] as pronouns was with an accent ([éste/ésta],[ése/ésa] and [aquél/aquélla]). Nowadays the [Real Academia Española] advises that the accented forms are only required where there might otherwise be confusion with the adjectives ([este/esta], [ese/esa] and [aquel/aquella]).what about this little one? — ¿y este pequeñito or (esp LAm) chiquito?
3) (relative)the one who, the one that — el/la que
the ones who, the ones that — los/las que
4) (=person)•
you are a one! — ¡qué cosas dices/haces!•
our dear ones — nuestros seres queridos•
the Evil One — el demonio•
you're a fine one! * — ¡menuda pieza estás tú hecho! *•
he's one for the ladies — tiene éxito con las mujeres•
the little ones — los pequeños, los chiquillos•
never a one — ni uno siquiera•
he is not one to protest — no es de los que protestan5)• one another, they kissed one another — se besaron (el uno al otro)
do you see one another much? — ¿se ven mucho?
6) (impers) uno/una* * *
I [wʌn]1)a) ( number) uno mhas anybody got five ones? — ¿alguien tiene cinco billetes de un dólar (or un peso etc)?
to be at one with somebody/something — estar* en paz or en armonía con alguien/algo; see also four I
b) ( elliptical use)it was interesting in more ways than one — fue interesante en más de un sentido/en muchos sentidos
I only want the one — sólo quiero uno/una
did you see many cows? - one or two — ¿viste muchas vacas? - alguna que otra
2) (in phrases)as one: they rose as one se pusieron de pie todos a la vez or como un solo hombre; for one por lo pronto; who's going? - well, I am for one ¿quién va? - yo, por lo pronto; in one: it's a TV and a video in one es televisión y vídeo a la vez or todo en uno; one by one — uno a uno, uno por uno
II
1)a) ( stating number) un, unaone button/pear — un botón/una pera
one thousand, three hundred — mil trescientos
b) (certain, particular)one boy was tall, the other short — uno de los niños era alto, el otro era bajo
2)a) ( single)the one and only Frank Sinatra — el incomparable or inimitable Frank Sinatra
my one and only coat is at the cleaners — el único abrigo que tengo or mi único abrigo está en la tintorería
b) ( same) mismo, mismawe drank out of the one glass cup — bebimos del mismo vaso/de la misma taza
3) ( unspecified) un, una4) ( with names)in the name of one John Smith/Sarah Brown — a nombre de un tal John Smith/una tal Sarah Brown
III
1) ( thing)this one — éste/ésta
that one — ése/ésa
which one? — ¿cuál?
the one on the right/left — el/la de la derecha/izquierda
the ones on the table — los/las que están en la mesa
the blue ones — los/las azules
I want the big one — quiero el/la grande
it's my last one — es el último/la última que me queda
he's had one too many — ha bebido de más, ha bebido más de la cuenta
have you heard the one about... ? — ¿has oído el chiste de... ?
he ate all the apples one after another o the other — se comió todas las manzanas, una detrás de otra
2) ( person)the one on the right's my cousin — el/la de la derecha es mi primo/prima
he's a sly one, that Jack Tibbs — es un zorro ese Jack Tibbs
I'm not one to gossip, but... — no me gustan los chismes pero...
one after another o the other — uno tras otro or detrás de otro
IV
pronoun uno, unaone simply never knows — realmente nunca se sabe or uno nunca sabe
one another — each other, each II 2)
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8 CULTURE, LITERATURE, AND LANGUAGE
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Lisbon, 1983.■ Medina, João, ed. Portugal De Abril: Do 25 Aos Nossos Dias. In Medina, ed., História Contemporãnea De Portugal. Lisbon, 1985. Merten, Peter. Anarchismus ünd Arbeiterkãmpf in Portugal. Hamburg: Libertare, 1981.■ Miranda, Jorge. Constituição e Democracia. Lisbon, 1976.■. A Constituição de 1976. Lisbon, 1978.■ Morrison, Rodney J. Portugal: Revolutionary Change in an Open Economy. Boston: Auburn House, 1981.■ Mujal-Leôn, Eusebio. "The PCP [Portuguese Communist Party] and the Portuguese Revolution." Problems of Communism 26 (Jan.- Feb. 1977): 21-41.■ Neves, Mário. Missão em Moscovo. Lisbon, 1986.■ Oliveira, César. M. F. A. e Revolução Socialista. Lisbon, 1975.■. Os Anos Decisivos: Portugal 1962-1985. Um testemunho. Lisbon: Presença, 1993.■ Opello, Waiter C., Jr. Portugal's Political Development: A Comparative Approach. Boulder, Colo.: Westview, 1985.■. Portugal: From Monarchy to Pluralist Democracy. Boulder, Colo.: Westview, 1991.■ Pell, Senator Claiborne H. Portugal ( Including the Azores and Spain) in Search of New Directions: Report to the Committee on Foreign Relations, U.S. Senate. Washington, D.C.: Government Printing Office, 1976.■ Pereira, J. Pacheco. "A Case of Orthodoxy: The Communist Party of Portugal." In Waller and Fenema, eds., Communist Parties in Western Europe: Adaptation or Decline? Oxford: Basil Blackwell, 1988.■ Pilmott, Ben. "Socialism in Portugal: Was It a Revolution?" Government and Opposition 7 (Summer 1977).■. "Were the Soldiers Revolutionary? The Armed Forces Movement in Portugal, 1973-1976." Iberian Studies 7, 1 (1978): 13-21.■, and Jean Seaton. "Political Power and the Portuguese Media." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 43-57. Madison: University of Wisconsin Press, 1983.■ Porch, Douglas. The Portuguese Armed Forces and the Revolution. London: Croom Helm and Stanford, Calif.: Hoover Institution Press, 1977.■ Pouchin, Dominique. Portugal, quelle révolution? Paris, 1976.■ Pulido Valente, Vasco. "E Viva Otelo." In Pulido Valente, V., ed., O País das Maravilhas, 451-54. Lisbon, 1979 [anthology of articles from weekly Lisbon paper, Expresso].■. Estudos Sobre a Crise Nacional. Lisbon, 1980.■ Rebelo de Sousa, Marcelo. O Sistema de Governo Português antes e depois da Revisão Constitucional, 3rd ed. Lisbon, 1981. Rêgo, Raúl. Militares, Clérigos e Paisanos. Lisbon, 1981. Robinson, Richard A. H. Contemporary Portugal: A History. London: Allen & Unwin, 1979.■ Rodrigues, Avelino, Cesário Borga, and Mário Cardoso. O Movemento dos Capitães e o 25 de Abril. Lisbon, 1974.■. Portugal Depois De Abril. Lisbon, 1976.■ Ruas, H. B., ed. A Revolução das Flores. Lisbon, 1975.■ Rudel, Christian. La Liberte couleur d'oeillet. Paris: Fayard, 1980.■ Sa, Tiago Moreira de. Os Americanos na Revolucao Portuguesa ( 1974-1976). Lisbon: Edit. Noticias, 2004.■ Sá Carneiro, Francisco. Por Uma Social-Democracia Portuguesa. Lisbon, 1975.■ Sanches Osôrio, Helena. Um Só Rosto. Uma Só Fé. Conversas Com Adelino Da Palma Carlos. Lisbon, 1988. Sanches Osôrio, J. The Betrayal of the 25th of April in Portugal. Madrid: Sedmay, 1975.■ Schmitter, Philippe C. "Liberation by Golpe: Retrospective Thoughts on the Demise of Authoritarian Rule in Portugal." Armed Forces and Society 2 (1974): 5-33.■. "An Introduction to Southern European Transitions from Authoritarian Rule: Italy, Greece, Portugal, Spain and Turkey." In G. O'Donnell,■ P. C. Schmitter, and L. Whitehead, eds., Transitions from Authoritarian Rule, 3-10. Baltimore, Md.: Johns Hopkins University Press, 1986.■ Silva, Fernando Dioga da. "Uma Administração Envelhecido." Revista da Ad-ministraçao Pública 2 (Oct.-Dec. 1979).■ Simões, Martinho, ed. Relatório Do 25 De Novembro: Texto Integral, 2 vols. Lisbon, 1976.■ Soares, Isabel, ed. Mário Soares: O homem e o político. Lisbon, 1976. Soares, Mário. Democratização e Descolonização: Dez meses no Governo Provisório. Lisbon, 1975. Sobel, Lester A., ed. Portuguese Revolution, 1974-1976. New York: Facts on File, Inc., 1976.■ Spínola, Antônio de. Portugal e o Futuro. Lisbon, 1974.■. País Sem Rumo: Contributo para a História de uma Revolução. Lisbon, 1978.■ Story, Jonathan. "Portugal's Revolution of Carnations: Patterns of Change and Continuity." International Affairs 52 (July 1976): 417-34. Sweezey, Paul. "Class Struggles in Portugal." Monthly Review 27, 4 (Sept. 1975): 1-26.■ Szulc, Tad. "Lisbon and Washington: Behind Portugal's Revolution." Foreign Policy 21 (Winter 1975-76): 3-62. Tavares de Almeida, Antônio. Balsemão: O retrato. Lisbon, 1981. "Vasco." Desenhos Políticos. Lisbon, 1974.■ Vasconcelos, Alvaro. "Portugal in Atlantic-Mediterranean Security." In Douglas T. Stuart, ed., Politics and Security in the Southern Region of the Atlantic Alliance, 117-36. London: Macmillan, 1988.■ Wheeler, Douglas L. "Golpes militares e golpes literários. A literatura do golpe de 25 de Abril de 1974 em contexto histôrico." Penélope. Fazer E Desfazer A História, 19-20 (1998): 191-212.■. "Tributo ao Historiador dos Historiadores. Memorias de A.H.de Oliveira Marques (1933-2007)," Historia XXIX, 95, III series (March 2007), 18-22.■ Wiarda, Howard J. Transcending Corporatism? The Portuguese Corporative System and the Revolution of 1974. Columbia: Institute of International Studies, University of South Carolina, 1976.■. The Transition to Democracy in Spain and Portugal. Washington, D.C.: American Enterprise Institute for Public Policy Research, 1989. Wise, Audrey. Eyewitness in Revolutionary Portugal. With a Preface by Judith Hart, MP. London: Spokesman, 1975.■ PHYSICAL FEATURES: GEOGRAPHY, GEOLOGY, FAUNA, AND FLORA■ Birot, Pierre. Le Portugal: Étude de géographie régionale. Paris, 1950.■ Embleton, Clifford. Geomorphology of Europe. London: Macmillan, 1984.■ Girão, Aristides de Amorim. Divisão regional, divisão agrícola e divisão administrativa. Coimbra, 1932.■. Condições geográficos e históricas de autonomia política de Portugal. Coimbra, 1935.■. Atlas de Portugal, 2nd ed. Coimbra, 1958.■ Ribeiro, Orlando. Portugal, O Mediterrâneo e o Altântico. Coimbra, 1945 and later eds.■. Portugal. Volume V of Geografia de Espana y Portugal. Barcelona, 1955.■. Ensaios de Geografia Humana e regio nal. Lisbon, 1970.■. A geografia e a divisão regional do país. Lisbon, 1970.■ Stanislawski, Dan. The Individuality of Portugal. Austin: The University of Texas Press, 1959.■. Portugal's Other Kingdom: The Algarve. Austin: University of Texas Press, 1963.■ Taylor, Albert William. Wild Flowers of Spain and Portugal. London: Chatto & Windus, 1972.■ Way, Ruth, and Margaret Simmons. A Geography of Spain and Portugal. London: Methuen, 1962.■ ARCHAEOLOGY AND PREHISTORY■ "Actas do Colóquio Inter-Universitário do Noroeste Peninsular (Porto-Baião, 1988), vol. II, Proto-História, romanização e Idade Média." In Trabalhos de antropologia e etnologia. 28, 3-4 (1988).■ Alarcão, Jorge de, ed. "Do Paleolítico va arte visigótica." Vol. 1, História da■ Arte em Portugal. Lisbon: Alfa, 1986.■. Roman Portugal, 3 vols. Warminister, U.K.: Aris & Phillips, 1988.■. Portugal Das Orígens A Romanização. Vol. I. In J. Serrão and A. H. de Oliveira Marques, eds. Nova História de Portugal. Lisbon: Presença, 1990. Anderson, James M., and M. S. Lea. Portugal 1001 Sights: An Archaeological and Historical Guide. Calgary, Alberta: University of Calgary and Robert Hale, 1994.■ Balmuth, Miriam S., Antonio Gilman, and Lourdes Prados-Torreira, eds. Encounters and Transformations: The Archaeology of Iberia in Transition. Monographs in Mediterranean Archaeology, no. 7. Sheffield, U.K.: Sheffield Academic Press, 1997.■ Beirão, C. M. M. Une civilization protohistorique du Sud au Portugal ( 1er Age du Fer). Paris: D. Boccard, 1986.■ Cardoso, João Luís, Santinho A. Cunha, and Delberto Aguiar. O Homem Pre-Histórico no Concelho de Oeiras. Oeiras, Portugal: Estudos Arquelógicos de Oeiras, 1991.■ Harrison, Richard J. The Bell Beaker Cultures of Spain and Portugal. Cambridge, Mass.: Harvard University Press, 1977.■ Mangas, Júlio, ed. Hispania epigraphica. Madrid, 1989.■ Maloney, Stephanie J. "The Villa of Toerre de Palma, Portugal: Archaeology and Preservation." Portuguese Studies Review VIII, 1 (Fall-Winter, 1999-2000): 14-28.■ Savory, H. N. Spain and Portugal: The Prehistory of the Iberian Peninsula. London, 1968.■ Silva, A. C. F. A cultura castreja no Noroeste de Portugal. Paços de Ferreira:■ Museu da Citânia de Sanfins, 1986. Straus, L. G. Iberia before the Iberians. Albuquerque, N.M., 1992.■ FOREIGN TRAVELERS AND RESIDENTS' ACCOUNTS■ Andersen, Hans Christian. A Visit to Portugal 1866. London: Peter Owen, 1972.■ Beckford, William. Italy, with Sketches of Spain and Portugal. Paris: Baudry's European Library, 1834.■ Boyd Alexander, ed. London: Hart-Davies, 1954.■. Recollections of an Excursion to the Monasteries of Alcoboca and Batalha. Fontwell, U.K.: Centaur Press, 1972.■ Bell, Aubrey F. G. In Portugal. London: Bodley Head, 1912.■ Borrow, George. The Bible in Spain, 2 vols. London: Constable, 1923 ed.■ Chaves, Castelo Branco. Os livros de viagens em Portugal no século XVIII e a sua projecção europeia. Lisbon, 1977.■ Costigan, Arthur William. Sketches of Society and Manners in Portugal. London: T. Vernon, 1787.■ Crawfurd, Oswald. Portugal Old and New. London: Kegan, Paul, 1880.■. Round the Calendar in Portugal. London: Chapman & Hall, 1890.■ Darymple, William. Travels through Spain and Portugal in 1774. London: J. Almon, 1777.■ Dumouriez, Charles Francois Duperrier. An Account of Portugal as It Appeared in 1766. London: C. Law, 1797.■ Fielding, Henry. Jonathan Wild and the Journal of a Voyage to Lisbon. London: J. M. Dent, 1932.■ Fullerton, Alice. To Portugal for Pleasure. London: Grafton, 1945.■ Gibbons, John. I Gathered No Moss. London: Robert Hale, 1939.■ Gordon, Jan, and Cora Gordon. Portuguese Somersault. London: Harrap, 1934.■ Hewitt, Richard. A Cottage in Portugal. New York: Simon & Schuster, 1996.■ Huggett, Frank. South of Lisbon: Winter Travels in Southern Portugal. London: Gollancz, 1960.■ Hume, Martin. Through Portugal. London: Richards, 1907.■ Hyland, Paul. Backwards Out of the Big World: A Voyage into Portugal. Hammersmith, U.K.: HarperCollins, 1996.■ Jackson, Catherine Charlotte, Lady. Fair Lusitania. London: Bentley, 1874.■ Kelly, Marie Node. This Delicious Land Portugal. London: Hutchinson, 1956.■ Kempner, Mary Jean. Invitation to Portugal. New York: Athenaeum, 1969.■ Kingston, William H. G. Lusitanian Sketches of the Pen and Pencil. 2 vol. London: Parker, 1845.■ Landmann, George. Historical, Military and Picturesque Observations on Portugal. 2 vol. London: Cadell and Davies, 1818.■ Latouche, John [Pseudonym of Oswald Crawfurd]. Travels in Portugal. London: Ward, Lock & Taylor, ca. 1874.■ Link, Henry Frederick. Travels in Portugal and France and Spain. London: Longman & Rees, 1801.■ Macauley, Rose. They Went to Portugal. London: Jonathan Cape, 1946.■. They Went to Portugal, Too. Manchester: Carcanet Books, 1990.■ Merle, Iris. Portuguese Panorama. London: Ouzel, 1958.■ Murphy, J. C. Travels in Portugal. London: 1795.■ Proper, Datus C. The Last Old Place: A Search through Portugal. New York: Simon & Schuster, 1992.■ Quillinan, Dorothy [Wordsworth]. Journal of a Few Months in Portugal with Glimpses of the South of Spain. 2 vol. London: Moxon, 1847. Sitwell, Sacheverell. Portugal and Madeira. London: Batsford, 1954. Smith, Karine R. Until Tomorrow: Azores and Portugal. Snohomish, Wash.: Snohomish Publishing, 1978. Southey, Robert. Journals of a Residence in Portugal, 1800-1801 and a Visit to France, 1838. London and New York: Oxford Univ. Press, 1912. Thomas, Gordon Kent. Lord Byron's Iberian Pilgrimage. Provo, Utah: Brigham Young University Press, 1983. Twiss, Richard. Travels through Portugal and Spain in 1772-1773. London, 1775.■ Watson, Gilbert. Sunshine and Sentiment in Portugal. London: Arnold, 1904. Wheeler, Douglas L. "A[n American] Fulbrighter in Lisbon, Portugal, 196162." Portuguese Studies Review 1 (1991): 9-16.■ PORTUGUESE CARTOGRAPHY, DISCOVERIES, AND NAVIGATION■ Albuquerque, Luís de. Curso de História de Naútica. Coimbra, 1972.■. Introdução a história dos descobrimentos, 3rd ed. Mem Martins, 1983.■. Os Descobrimentos Portugueses. Lisbon: Alfa, 1983.■. Portuguese Books on Nautical Science from Pedro Nunes to 1650. Lisbon, 1984.■. Os Descobrimentos Portugueses. Lisbon, 1985.■ Boorstin, Daniel. The Discoverers. New York: Random House, 1983. Boxer, C. R. The Portuguese Seaborne Empire, 1415-1825. London: Hutchinson, 1969.■ Brazão, Eduardo. La découverte de Terre-Neuve. Montreal: Les Presses de l'Université, 1964.■. "Les Corte-Real et le Nouveau Monde." Revue d'histoire d'Amérique Française 19, 1 (1965): 335-49. Cortesão, Armando, and Avelino Teixeira de Mota. Cartografia Portuguesa Antiga. Lisbon, 1960.■. Portugalia Monumenta Cartográfica, 6 vols. Lisbon, 1960-62.■. História da Cartografia Portuguesa, 2 vols. Coimbra, 1969-70.■ Cortesão, Jaime. L'expansion des portugais dans l'historie de la civilisation. Brussels, 1930.■. Os descobrimentos portugueses, 2 vols. V. Magalhães Godinho and Joel Serrão, eds. Lisbon, 1960.■. A expansão dos Portugueses no período henriquinho. Lisbon, 1965.■. Descobrimentos precolombanos dos portugueses. Lisbon, 1966.■ Costa, Abel Fontoura da. A Marinharia dos Descobrimentos, 3rd ed. Lisbon, 1960.■ Costa Brochado, Idalino F. Descobrimento do Atlântico. Lisbon, 1958. English ed., 1959-60.■ Coutinho, Admiral Gago. A naútica dos descobrimentos, 2 vols. Lisbon, 1951-52.■ Crone, G. R. Maps and Their Makers. New York: Capricorn Books, 1966.■ Dias, José S. da Silva. Os descobrimentos e a problemática cultural do Século XVI, 2nd ed. Lisbon, 1982.■ Disney, Anthony, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Godinho, Vitorino Magalhães, ed. Documentos sobre a expansão portuguesa [ to 1460], 3 vols. Lisbon, 1945-54.■ Guedes, Max, and Gerald Lombardi, eds. Portugal. Brazil: The Age of Atlantic Discoveries. Lisbon: Bertrand; Milan: Ricci; Brazilian Culture Foundation, 1990. [Catalogue of New York Public Library Exhibit, Summer 1990]■ Harley, J. B., and David Woodward. The History of Cartography. Volume 1: Cartography in Prehistoric, Ancient and Medieval Europe and Mediterranean. Chicago: University of Chicago Press, 1987.■ Leite, Duarte. História dos Descobrimentos: Colectânea de esparsos, 2 vols. Lisbon, 1958-61.■ Ley, Charles. Portuguese Voyages, 1498-1663. London: Dent, 1953.■ Marques, J. Martins da Silva. Descobrimentos portugueses, 2 vols. Lisbon, 1944-71.■ Martyn, John R. C., ed. Pedro Nunes ( 1502-1578): His Lost Algebra and Other Discoveries. John R. C. Martyn, trans. New York: Peter Lang, 1996.■ Morison, Samuel Eliot. The European Discovery of America: The Northern Voyages, A. D. 500-1600. New York: Oxford University Press, 1971.■. Portuguese Voyages to America in the Fifteenth Century. Cambridge: Harvard University Press, 1974.■ Mota, Avelino Teixeira da. Mar, Além-Mar-Estudos e Ensaios de História e Geografia. Lisbon, 1972.■ Nemésio, Vitorino. Vida e Obra do Infante D. Henrique. Lisbon, 1959.■ Parry, J. H. The Discovery of the Sea. New York: Dial, 1974.■ Penrose, Boies. Travel and Discovery in the Renaissance, 1420-1620. Cambridge, Mass.: Harvard University Press, 1952.■ Peres, Damião. História dos Descobrimentos Portugueses. Oporto, 1943.■ Prestage, Edgar. The Portuguese Pioneers. London, 1933; New York: Barnes & Noble, 1967.■ Rogers, Francis M. Precision Astrolabe: Portuguese Navigators and Transoceanic Aviation. Lisbon, 1971.■ Seary, E. R. "The Portuguese Element in the Place Names of Newfoundland." In Luís Albuquerque, ed., Vice-Almirante A. Teixeira da Mota: In Memo-riam. Vol. II, 359-64. Lisbon: Academia da Marinha, 1989.■ Subrahmanyam, Sanjay. The Career and Legend of Vasco Da Gama. Cambridge: Cambridge University Press, 1997.■ Velho, Alvaro. Roteiro ( Navigator's Route) da Primeira Viagem de Vasco da Gama ( 1497-1499). Lisbon, 1960.■ Winius, George, ed. Portugal, the Pathfinder: Journeys from the Medieval toward the Modern World 1300-ca. 1600. Madison, Wisc.: Hispanic Seminary of Medieval Studies, 1995.■ PORTUGAL AND HER OVERSEAS EMPIRES (1415-1975)■ Abshire, David M., and Michael A. Samuels, eds. Portuguese Africa: A Handbook. New York: Praeger, 1969.■ Afonso, Aniceto, and Carlos de Matos Gomes. Guerra Colonial. Lisbon: Noticias, 2001.■ Albuquerque, J. Moushino de. Moçambique. Lisbon, 1898.■ Alden, Dauril. The Making of an Enterprise: The Society of Jesus in Portugal, Its Empire & Beyond. Stanford, Calif.: Stanford University Press, 1995.■ Alexandre, Valentim. Orígens do Colonialismo Português Moderno ( 18221891). Lisbon: Sá da Costa, 1979.■, and Jill Dias, eds. "O Império Africano 1825-1890. Volume X." In J.■ Serrão and A. H. de Oliveira Marques, eds., Nova História Da Expansão Portuguesa. Lisbon: Estampa, 1998.■ Ames, Glen J. "The Carreira da India, 1668-1682: Maritime Enterprise and the Quest for Stability in Portugal's Asian Empire." Journal of European Economic History 20, 1 (1991): 7-28.■. Renascent Empire? The House of Braganza and the Quest for Stability in Portuguese Monsoon Asia, ca. 1640-1683. Amsterdam: Amsterdam Univ.Press, 2000.■. Vasco da Gama. Renaissance Crusader. New York: Pearson/Longman, 2005.■ Antunes, José Freire. O Império com Pés de Barro: Colonizaçao e Descolonização: As Ideologias em Portugal. Lisbon: D. Quixote, 1980.■. O Factor Africano 1890-1990. Lisbon: Bertrand, 1990.■. A Guerra De Africa 1961-1974, 2 vols. Lisbon: Círculo de Leitores, 1995-96.■. Jorge Jardim: Agente Secreto 1919-1982. Lisbon: Bertrand, 1996.■ Axelson, Eric A. South-East Africa, 1488-1530. London: Longmans, 1940.■. "Prince Henry and the Discovery of the Sea Route to India." Geographical Journal (U.K.) 127, 2 (June 1961): 145-58.■. Portugal and the Scramble for Africa, 1875-1891. Johannesburg: Witwaterstrand University Press, 1967.■. Portuguese in South-East Africa, 1488-1699. Cape Town: Struik, 1973.■. Congo to Cape: Early Portuguese Explorers. New York: Harper & Row, 1974.■ Azevedo, Mário. Historical Dictionary of Mozambique, 2nd ed. Lanham, Md.: Scarecrow Press, 2003.■ Baião, António, Hernãni Cidade, and Manuel Murias, eds. História da Expansão Portuguesa no Mundo, 4 vols. Lisbon, 1937-40.■ Bender, Gerald J. "The Limits of Counterinsurgency [in the Angolan War, 1961-72]." Comparative Politics (1972): 331-60.■. Angola under the Portuguese: The Myth Versus Reality. Berkeley: University of California Press, 1978.■ Bhíla, H. H. K. Trade and Politics in a Shona Kingdom: The Manyika and Their Portuguese and African Neighbours, 1875-1902. Harlow, U.K.: Longman, 1990.■ Birmingham, David. The Portuguese Conquest of Angola. Oxford: Clarendon Press, 1965.■. Trade and Conflict in Angola. Oxford: Clarendon Press, 1966.■. Frontline Nationalism in Angola & Mozambique. London: James Currey, 1992.■. Portugal and Africa. New York: St. Martins, 1999.■ Bottineau, Yves. Le Portugal Et Sa Vocation Maritime. Paris: Boccard, 1977. Boxer, C. R. Fidalgos in the Far East— Fact and Fancy in the History of Macau. Berkeley: University of California Press, 1948. ———. The Christian Century in Japan. Berkeley: University of California Press, 1951.■ ———. Salvador de Sá and the Struggle for Brazil and Angola, 1602-1688. London, 1952.■ ———. Four Centuries of Portuguese Expansion, 1415-1825: A Succinct Survey. Johannesburg: Witwaterstrand University Press, 1961.■ ———. The Golden Age of Brazil, 1695-1750. Berkeley: University of California Press, 1962.■ ———. Race Relations in the Portuguese Colonial Empire, 1415-1825. Oxford:■ Clarendon Press, 1963. ———. Portuguese Society in the Tropics. Madison: University of Wisconsin Press, 1965.■ ———. The Portuguese Seaborne Empire 1415-1825. London: Hutchi nson, 1969.■ ———, and Carlos de Azevedo, eds. Fort Jesus and the Portuguese in Mombasa. London: Hollis and Carter, 1960.■ Broadhead, Susan H. Historical Dictionary of Angola, 2nd ed. Metuchen, N.J.: Scarecrow Press, 1992.■ Burton, Richard. Goa and the Blue Mountains. London: Bentley, 1851.■ Cabral, Luís. Crónica da Libertação. Lisbon, 1984.■ Caetano, Marcello. Colonizing Traditions, Principles and Methods of the Portuguese. Lisbon, 1951.■ ———. Portugal E A Internacionalização Dos Problemas Africanos, 3rd ed. Lisbon, 1965.■ Cann, John P. Counterinsurgency in Africa: The Portuguese Way of War, 1961-1974. Westport, Conn.: Greenwood, 1997. Castelo, Claudia. " O modo portugues de estar no mundo." O luso-tropicalismo e a ideologia colonial portuguesa ( 1931-1961). Oporto: Afrontamento, 1998. Castro, Armando. O Sistema Colonial Português em Africa ( meados do Século XX). Lisbon, 1978.■ Chaliand, Gerard. "The Independence of Guinea-Bissau and the Heritage of [Amilcar] Cabral." In Revolution in the Third World. Harmondsworth, U.K.: Penguin, 1978.■ Chilcote, Ronald H. Portuguese Africa. Englewood Cliffs, N.J.: Prentice-Hall, 1967.■ Clarence-Smith, Gervase. Slaves, Peasants and Capitalists in Southern Angola 1840-1926. Cambridge: Cambridge University Press, 1979.■ ———. The Third Portuguese Empire 1825-1975: A Study in Economic Imperialism. Manchester, U.K.: Manchester University Press, 1985.■ Coates, Timothy J. Convicts and Orphans: Forced and State-Sponsored Colonizers in the Portuguese Empire, 1550-1720. Stanford, Calif.: Stanford University Press, 2001.■ Davies, Shann. Macau. Singapore: Times Editions, 1986.■ Dias, C. Malheiro, ed. História da colonização portuguesa no Brasil, 3 vols. Oporto, 1921-24.■ Diffie, Bailey W., and George Winius. Foundations of the Portuguese Empire, 1415-1580. Minneapolis: Minnesota University Press, 1977.■ Disney, Anthony R. Twilight of the Pepper Empire: Portuguese Trade in Southwest India in the Early Seventeenth Century. Cambridge, Mass.: Harvard University Press, 1978.■ ———, and Emily Booth, eds. Vasco Da Gama and the Linking of Europe and Asia. New Delhi: Oxford University Press, 2000.■ Duffy, James. Shipwreck and Empire: Being an Account of Portuguese Maritime Disaster in a Century of Decline. Cambridge, Mass.: Harvard University Press, 1955.■ ———. Portuguese Africa. Cambridge, Mass.: Harvard University Press, 1959. ———. Portugal in Africa. Cambridge, Mass.: Harvard University Press, 1962.■. "The Portuguese Territories." In Colin Legum, ed., Africa: A Handbook to the Continent. New York: Holmes & Meier, 1967. ———. A Question of Slavery. Oxford: Oxford University Press, 1967. 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Brother Luiz de Sousa [play]. Edgar Prestage, trans. London: Elkin Mathess, 1909.■. Travels in My Homeland. John M. Parker, trans. London: Peter Owen and UNESCO, 1987. Griffin, Jonathan. Camões: Some Poems Translated from the Portuguese by Jonathan Griffin. London: Menard Press, 1976. Jorge, Lídia. The Murmuring Coast. Minneapolis: University of Minnesota Press, 1995.■ Lisboa, Eugénio, ed. Portuguese Short Fiction. Manchester, U.K.: Carcanet, 1997.■ Lopes, Fernão. The English in Portugal 1367-87: Extracts from the Chronicles of Dom Fernando and Dom João. Derek W. Lomax and R. J. Oakley, eds. and trans. Warminster, U.K.: Aris & Phillips, 1988.■ Macedo, Helder, ed. Contemporary Portuguese Poetry: An Anthology in English. Helder Macedo, et al., trans. Manchester, U.K.: Carcanet New Press, 1978.■ Martins, J. P. De Oliveira. A History of Iberian Civilization. Aubrey F. G. Bell, trans.; preface by Salvador de Madariaga. New York: Cooper Square, 1969.■ Mendes Pinto, Fernão. The Travels of Mendes Pinto [Orig. title: Peregrinação].■ Rebecca D. Catz, trans., with introduction and notes. Chicago: University of Chicago Press, 1989. Miguéis, José Rodrigues. A Man Smiles at Death with Half a Face. George■ Monteiro, trans. Hanover, N.H.: University Press of New England, 1991.■. Happy Easter. John Byrne, trans. Manchester, U.K.: Carcanet, 1995.■. Steerage and Ten Other Stories. George Monteiro, ed. Providence, R.I.: Gávea-Brown, 1998. Monteiro, Luís De Sttau. The Rules of the Game. Ann Stevens, trans. London: Hamilton, 1965.■ Mourão-Ferreira, David. Lucky in Love. Christine Robinson, trans. Manchester, U.K.: Carcanet, 1999. Namora, Fernando. Field of Fate. Dorothy Ball, trans. London: Macmillan, 1970.■. Mountain Doctor. Dorothy Ball, trans. London: Macmillan, 1956.■ Nemésio, Vitorino. Inclement Weather over the Channel. Francisco Cota Fagundes, trans. Providence, R.I.: Gávea-Brown, 1993.■. Stormy Isles: An Azorean Tale. Francisco C. Fagundes, trans. 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Anderson, trans. London, 1882.■ Portuguese and Portuguese-American Cooking: Cuisine■ Anderson, Jean. Food of Portugal. New York: Hearst, 1994. Asselin, E. Donald. A Portuguese-American Cookbook. Rutland, Vt.: Charles E. Tuttle, 1966.■ Bourne, Ursula. Portuguese Cookery. Harmondsworth, U.K.: Penguin, 1973. Crato, Maria Helena Tavares. Cozinha Portuguesa I, II. Lisbon: Editorial Presença, 1978.■ Dienhart, Miriam, and Anne Emerson, ed. Cooking in Portugal. Cascais: American Women of Lisbon, 1978.■ Feibleman, Peter S. The Cooking of Spain and Portugal. New York: Time-Life Books; Foods of the World, 1969.■ Koehler, Margaret H. Recipes from the Portuguese of Provincetown. Riverside, Conn.: Chatham Press, 1973. Manjny, Maite. The Home Book of Portuguese Cookery. London: Faber & Faber, 1974.■ Marques, Susan Lowndes. Good Food from Spain and Portugal. London: Muller, 1956.■ Modesto, Maria de Lourdes. Cozinha Tradicional Portuguesa. Lisbon: Verbo, 1982.■ Ortiz, Elisabeth Lambert. 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"On the Edge of Europe: A Survey of Portugal." (June 30, 1981): 3-27.■. "Coming Home: A Survey of Portugal." (May 28, 1988).■. 'The New Iberia: Not Quite Kissing Cousins" [Spain and Portugal]. (May 5, 1990): 21-24.■ Fundação Calouste Gulbenkian and German Marshall Fund of the U.S., eds. II Conferência Internacional sobre e Economia Portuguesa, 2 vols. Lisbon, 1979.■ Hudson, Mark. Portugal to 1993: Investing in a European Future. London: The Economist Intelligence Unit/Special Report No. 11 57/EIU Economic Prospects Series, 1989.■ International Labour Office (ILO). Employment and Basic Needs in Portugal. Geneva: ILO, 1979.■ Kavalsky, Basil, and Surendra Agarwal. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978.■ Krugman, Paul, and Jorge Braga de Macedo. "The Economic Consequences of the April 25th Revolution." Economia III (1979): 455-83.■ Lewis, John R., and Alan M. Williams. "The Sines Project: Portugal's Growth Centre or White Elephant?" Town Planning Review 56, 3 (1985): 339-66.■ Makler, Harry M. "The Consequences of the Survival and Revival of the Industrial Bourgeoisie." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 251-83. Madison: University of Wisconsin Press, 1983.■ Marques, A. La Politique Economique Portugaise dans la Période de la Dictature ( 1926-1974). Doctoral thesis, 3rd cycle, University of Grenoble, France, 1980.■ Martins, B. Sociedades e grupos em Portugal. Lisbon, 1973.■ Mata, Eugenia, and Nuno Valério. História Econômica De Portugal: Uma Perspectiva Global. Lisbon: Edit. Presença, 1994. Murteira, Mário. "The Present Economic Situation: Its Origins and Prospects." In L. S. Graham and H. M. Makler, eds., Contemporary Portugal, 331-42. Austin: University of Texas Press, 1979. OCED. Economic Survey: Portugal: 1988. Paris: OCED, 1988 [see also this series since 1978].■ Pasquier, Albert. L'Economie du Portugal: Données et Problémes de Son Expansion. Paris: Librarie Generale de Droit, 1961. Pereira da Moura, Francisco. Para onde vai e economia portuguesa? Lisbon, 1973.■ Pintado, V. Xavier. Structure and Growth of the Portuguese Economy. Geneva: EFTA, 1964.■ Pitta e Cunha, Paulo. "Portugal and the European Economic Community." In L. S. Graham and D. L. Wheeler, eds., In Search of Modern Portugal, 321-38. Madison: University of Wisconsin Press, 1983.■. "The Portuguese Economic System and Accession to the European Community." In E. Sousa Ferreira and W. C. Opello, Jr., eds., Conflict and Change in Portugal, 1974-1984, 281-300. Lisbon, 1985. Porto, Manuel. "Portugal: Twenty Years of Change." In Alan Williams, ed., Southern Europe Transformed, 84-112. London: Harper & Row, 1984. Quarterly Economic Review. London: The Economist Intelligence Unit, 1974-present.■ Salgado de Matos, Luís. Investimentos Estrangeiros em Portugal. Lisbon, 1973 and later eds.■ Schmitt, Hans O. Economic Stabilisation and Growth in Portugal. Washington, D.C.: International Monetary Fund, 1981.■ Smith, Diana. Portugal and the Challenge of 1992. New York: Camões Center, RIIC, Columbia University, 1989.■ Tillotson, John. The Portuguese Bank Note Case [ 1920s]: Legal, Economic and Financial Approaches to the Measure of Damages in Contract. Manchester, U.K.: Faculty of Law, University of Manchester, 1992.■ Tovias, Alfred. Foreign Economic Relations of the Economic Community: The Impact of Spain and Portugal. Boulder, Colo.: Rienner, 1990.■ Valério, Nuno. A moeda em Portugal, 1913-1947. Lisbon: Sá da Costa, 1984.■. As Finanças Públicas Portuguesas Entre As Duas Guerras Mundiais. Lisbon: Cosmos, 1994.■ World Bank. Portugal: Current and Prospective Economic Trends. Washington, D.C.: World Bank, 1978 and to the present.■ PHOTOGRAPHY ON PORTUGAL■ Alves, Afonso Manuel, Antônio Sacchetti, and Moura Machado. Lisboa. Lisbon, 1991.■ Antunes, José. Lisboa do nosso olhar; A look on Lisbon. Lisbon: Câmara Municipal de Lisboa, 1991. Beaton, Cecil. Near East. London: Batsford, 1943.■. Lisboa 1942: Cecil Beaton, Lisbon 1942. Lisbon: British Historical Society of Portugal/Fundação Calouste Gulbenkian, 1995.■ Bottineau, Yves. Portugal. London: Thames & Hudson, 1957.■ Câmara Municipal de Lisboa. 7 Olhares ( Seven Viewpoints). Lisbon: Câmara Municipal de Lisboa, 1998.■ Capital, A. Lisboa: Imagens d'A Capital. Lisbon: Edit. Notícias, 1984.■ Dias, Marina Tavares. Photographias de Lisboa, 1900 ( Photographs of Lisbon, 1900). Lisbon: Quimera, 1991.■. Os melhores postais antigos de Lisboa ( The best old postcards of Lisbon). Lisbon: Químera, 1995.■ Finlayson, Graham, and Frank Tuohy. Portugal. London: Thames & Hudson, 1970.■ Glassner, Helga. Portugal. Berlin-Zurich: Atlantis-Verlag, 1942. Hopkinson, Amanda, ed. Reflections by Ten Portuguese photographers. Bark-way, U.K.: Frontline/Portugal 600, 1996.■ Lima, Luís Leiria, and Isabel Salema. Lisboa de Pedra e Bronze. Lisbon, 1990.■ Martins, Miguel Gomes. Lisboa ribeirinha ( Riverside Lisbon). Lisbon: Arquivo Municipal, Câmara Municipal de Lisboa, Livros Horizonte, 1994. Vieira, Alice. Esta Lisboa ( This Lisbon). Lisbon: Caminho, 1994. Wohl, Hellmut, and Alice Wohl. Portugal. London: Frederick Muller, 1983.■ EQUESTRIANISM■ Andrade, Manoel Carlos de, Luz da Liberal e Nobre Arte da Cavallaria. Lisbon, 1790.■ Graciosa, Filipe. Escola Portuguesa de Arte Equestre. Lisbon, 2004.■ Horsetalk Magazine. Published in New Zealand.■ Oliveira, Nuno. Reflections on the Equestrian Art. London, 2000.■ Russell, Eleanor, ed. The Truth in the Teaching of Nuno Oliveira. Stanhope,■ Queensland, Australia, 2003. Vilaca, Luis V., and Pedro Yglesias d'Oliveira, eds. LUSITANO. Coudelarias De Portugal. O Cavalo ancestral do Sudoeste da Europa. Lisbon: ICONOM, 2005.■ Websites of interest: www.equestrian.pt portugalweb.comHistorical dictionary of Portugal > CULTURE, LITERATURE, AND LANGUAGE
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9 Collins, Lewis D.
1899-1954Entre 1927 y 1954, ano de su prematura muerte debida a un ataque cardiaco, realiza un total aproximado de 120 peliculas, de las que unas veinte son cortometrajes. Se dedica, especialmente, al western, sobre todo para Universal y Monogram. Es un director modesto, sin estilo visible que, como tantos otros, trabaja para las sucesivas estrellas de la epoca.Guns for Hire. 1932. 58 minutos. Blanco y Negro. Willis Kent. Lane Chandler, Sally Darling.Via Pony Express. 1933. 60 minutos. Blanco y Negro. Majestic. Jack Hoxie, Marceline Day.Gun Law. 1933. 59 min. Blanco y Negro. Majestic. Jack Hoxie, Paula Fix.Trouble Busters. 1933. 55 minutos. Blanco y Negro. Majestic. Jack Hoxie, Lane Chandler, Kaye Edwards.The Man from Hell. 1934. 58 minutos. Blanco y Negro. Willis Kent. Reb Russell, Fred Kohler, Ann Darcy.Brand of Hate. 1934. 63 minutos. Blanco y Negro. Supreme. Bob Steele, William Farnum, Lucille Browne.The Desert Trail. 1935. 54 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Mary Kornman.Little Joe, the Wrangler. 1942. 64 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Tenting Tonight on the Old Camp Ground. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Raiders of San Joaquin. 1943. 60 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Tex Ritter, Fuzzy Knight, Jennifer Holt.Oklahoma Raiders. 1944. 57 minutos. Blanco y Negro. Universal. Tex Ritter, Fuzzy Knight, Jennifer Holt.Trigger Trail. 1944. 59 minutos. Blanco y Negro. Universal. Rod Cameron, Eddie Dew, Fuzzy Knight, Vivian Austin.Raiders of Ghost City (co-d.: Ray Taylor). 1944. 225 minutos. 13 capitulos. Blanco y Negro. Universal. Dennis Moore, Wanda McKay, Lionel Atwill.The Old Texas Trail. 1944. 60 minutos. Blanco y Negro. Universal. Rod Cameron, Fuzzy Knight, Marjorie Clements.The Royal Mounted Rides Again (co-d.: Ray Taylor). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Scarlet Horseman (co-d.: Ray Taylor). 1946. 248 minutos. 13 capitulos. Blanco y Negro. Universal. Peter Cookson, Janet Shaw.Ride, Ryder, Ride! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Emmett Lynn.Roll, Thunder, Roll! 1949. 60 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, I. Stanford Jolley, Don Kay Reynolds, Nancy Gates.The Fighting Redhead. 1949. 55 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Peggy Stewart, Don Kay Reynolds.Cowboy and the Prizefighter. 1949. 59 minutos. Cinecolor. Equity/Eagle Lion. Jim Bannon, Emmett Lynn, Don Kay Reynolds, Karen Randle.Law of the Panhandle. 1950. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Jane Adams, Milburn Morante.Cherokee Uprising. 1950. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Lois Hall.Colorado Ambush. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Myron Healey.Abilene Trail. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Andy Clyde, Noel Neill.Man from Sonora. 1951. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, House Peters, Jr.Canyon Raiders. 1951. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Nevada Badmen. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Stagecoach Driver. 1951. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Gloria Winters.Oklahoma Justice. 1951. 51 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Jimmy Ellison.Lawless Cowboys. 1951. 58 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Pamela Duncan.The Longhorn. 1951. 70 minutos. Blanco y Negro. Monogram. Bill Elliot, Phyllis Coates, Myron Healey.Texas Lawmen. 1951. 54 minutos. Blanco y Negro. Frontier Pictures - /Monogram. Johnny Mack Brown, Jimmy Ellison, Lee Roberts.Stage to Blue River. 1951. 55 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Texas City (Misterio en Texas). 1952. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Lois Hall, Jimmy Ellison.Waco. 1952. 68 minutos. Blanco y Negro. Monogram. Bill Elliott, Pamela Blake, I. Stanford Jolley.The Gunman. 1952. 52 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Phyllis Coates.Wild Stallion. 1952. 70 minutos. Cinecolor. Monogram. Ben Johnson, Edgar Buchanan, Martha Hyer.Kansas Territory. 1952. 65 minutos. Blanco y Negro. Monogram. Bill Elliott, Peggy Stewart, Fuzzy Knight.Dead Man’s Trail. 1952. 59 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Barbara Allen, Jimmy Ellison.Montana Incident. 1952. 54 minutos. Blanco y Negro. Monogram. Whip Wilson, Peggy Stewart, Noel Neill.Fargo (Los atracadores de Fargo). 1952. 69 minutos. Blanco y Negro. Monogram. Bill Elliott, Phyllis Coates, Fuzzy Knight.Canyon Ambush. 1952. 53 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Phyllis Coates, Lee Roberts.The Homesteaders. 1953. 62 minutos. Blanco y Negro. Allied. Bill Elliott, Emmett Lynn, Robert Lowery.The Marksman. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elena Verdugo, Frank Ferguson.Vigilante Terror. 1953. 70 minutos. Blanco y Negro. Allied. Bill Elliott, Fuzzy Knight, Mary Ellen Kay.Texas Bad Man. 1953. 62 minutos. Blanco y Negro. Allied. Wayne Morris, Elaine Riley, Frank Ferguson.Two Guns and a Badge (Dos pistolas y una insignia). 1954. 60 minutos. Blanco y Negro. Allied. Wayne Morris, Beverly Garland, Morris Ankrum.English-Spanish dictionary of western films > Collins, Lewis D.
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10 Luby, S. Roy
1904-1976S. Roy Luby o Roy S. Luby trabaja como montador de westerns baratos desde principios de los anos 30. En 1935 empieza a dirigir, lo que no impide que continue montando peliculas. Ya en los anos 40, realiza un buen punado de westerns de serie B para Monogram, en especial de la serie de los Range Busters, protagonizada por Ray Corrigan, Max Terhune y John “Dusty” King.Outlaw Rule. 1935. 53 minutos. Blanco y Negro. Willis Kent Prod. Reb Russell, Betty Mack, Al Bridge.Range Warfare. 1935. 57 minutos. Blanco y Negro. Willis Kent Prod. Reb Russell, Lucille Lund, Wally Wales.Lightning Triggers. 1935. 58 minutos. Blanco y Negro. Willis Kent Prod. Reb Russell, Yvonne Pelletier, Fred Kohler.Arizona Bad Man. 1935. 58 minutos. Blanco y Negro. Willis Kent Prod. Reb Russell, Lois January, Slim Whitaker.Desert Phantom. 1936. 60 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Sheila Manors.Rogue of the Range. 1936. 58 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Lois January, Phyllis Hume.The Crooked Trail. 1936. 60 minutos. Blanco y Negro. Supreme. Johnny Mack Brown, Lucile Browne.Border Phantom. 1937. 58 minutos. Blanco y Negro. Republic. Bob Steele, Harley Wood.Red Rope. 1937. 59 minutos. Blanco y Negro. Republic. Bob Steele, Lois January.The Range Busters. 1940. 56 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Luana Walters, John “Dusty” King.Trailing Double Trouble. 1940. 56 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Lita Conway, John “Dusty” King.West of Pinto Basin. 1940. 60 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Gwen Gaze, John “Dusty” King.Trail of the Silver Spurs. 1941. 57 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Dorothy Short, John “Dusty” King.The Kid’s Last Ride. 1941. 55 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Luana Walters, John “Dusty” King.Tumbledown Ranch in Arizona. 1941. 60 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Sheila Darcy, John “Dusty” King.Wrangler’s Roost. 1941. 57 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Gwen Gaze, John “Dusty” King.Fugitive Valley. 1941. 61 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Julie Duncan, John “Dusty” King.Saddle Mountain Roundup. 1941. 59 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Lita Conway, John “Dusty” King.Tonto Basin Outlaws. 1941. 60 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Jan Wiley, John “Dusty” King.Underground Rustlers. 1941. 57 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Gwen Gaze, John “Dusty” King.Thunder River Feud. 1942. 58 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Jan Wiley, John “Dusty” King.Rock River Renegades. 1942. 56 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Christine McIntyre, John “Dusty” King.Boot Hill Bandits. 1942. 58 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Jean Brooks, John “Dusty” King.Texas Trouble Shooters. 1942. 55 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Julie Duncan, John “Dusty” King.Arizona Stagecoach. 1942. 58 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Nell O’Day, John “Dusty” King.Land of Hunted Men. 1943. 58 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Phyllis Adair, Dennis Moore.Cowboy Commandos. 1943. 55 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Evelyn Finley, Dennis Moore.Black Market Rustlers. 1943. 58 minutos. Blanco y Negro. Monogram. Ray Corrigan, Max Terhune, Evelyn Finley, Dennis Moore. -
11 ♦ the
♦ the (1) /ði:/ (enfat.); /ðə/(prima di un suono consonantico); /ðɪ/ (prima di un suono vocalico) art. determ.1 il, lo; la; i, gli; le: Shut the door, chiudi la porta!; the sun, il sole; the earth, la terra; the pin I'm looking for, lo spillo che cerco; the man you know, l'uomo che conosci; the year of his death, l'anno della sua morte; the girls of this school, le ragazze di questa scuola; The dog is man's best friend, il cane è il migliore amico dell'uomo; the Atlantic, l'Atlantico; the Alps, le Alpi; (collett.) the dead, i defunti; the English, gli Inglesi; ( astratto) the beautiful, il bello; ( distributivo) one dollar the dozen, un dollaro la dozzina2 (con valore determ. ancora più forte) questo, questa; quello, quella, ecc.: We'll go to the seaside in the summer, andremo al mare quest'estate; I didn't know at the time, a quel tempo (o allora) non lo sapevo3 (idiom.) to go to the theatre, andare a teatro; the Duke and Duchess of Kent, il duca e la duchessa di Kent; Henry the Eighth, Enrico Ottavo● (geogr.) the Amazon, il Rio delle Amazzoni □ the day, il giorno; (scozz.) oggi □ (pop.) the drink, il vizio del bere □ (scozz.) the morrow, domani □ (in GB) the Queen, la Regina □ (fam.) the Shaw, il teatro (intitolato a) GB Shaw ( a Londra) □ the Smiths, gli Smith; la famiglia Smith □ at the, al, allo, alla; ai, agli, alle □ in the, nel, nello, nella; nei, negli, nelle □ to the, al, allo, alla; ai, agli, alle: Go to the bank, will you?, va' alla banca, per favore! □ (comm., pubbl.) Our coffee is the coffee, il vero (o il solo) caffè è il nostro; il nostro caffè è il migliore □ This story loses nothing in the telling, questa storia non perde a essere raccontata.NOTA D'USO: - the life o life?- the (2) /ðə, ðɪ/avv.(per lo più ripetuto, come correl. di sé stesso, davanti ai compar.) quanto… tanto: The sooner the better, quanto prima, tanto meglio; The more he earns the more he spends, (quanto) più guadagna, (tanto) più spende● That will make it all the worse, questo peggiorerà la situazione □ I am none the better for seeing you, il vederti non serve certo a farmi sentir meglio □ So much the worse for him, peggio per lui! □ (prov.) The more the merrier, più siamo, meglio è. -
12 Kentish
Kentish ['kentɪʃ]du Kent►► Entomology Kentish glory endromis m;Kentish Man = natif de la partie ouest du Kent -
13 Taylor, Ray
1888-1952Actor y empresario teatral antes de la Primera Gue rra Mundial, despues se convierte en ayudante de direccion para Fox, trabajando con John Ford. En los anos 20 pasa a Universal, donde empieza a dirigir primero cortometrajes y despues peliculas de serie B, sobre todo thrillers y seriales diversos. En el sonoro, al que se adapta aceptablemente, trabaja con intensidad. Es, sin duda, uno de los realizadores mas prolificos del genero; mas de 80 westerns avalan su trayectoria, ni mas ni menos destacada que la de otros muchos, aunque no le falta buen pulso narrativo las mas de las veces. Trabaja, inevitablemente, con actores populares, y tambien prolificos, de los anos 30 y, en menor medida, 40. Peliculas de una hora de duracion, aproximadamente, con argumentos poco elaborados, y algun serial, dirigido en solitario a comienzos del sonoro, y ya en colaboracion unos diez anos despues, constituyen la inmensa mayoria de una filmografia inabarcable.The One Way Trail (La senda de la venganza). 1931. 60 minutos. Blanco y Negro. Columbia. Tim McCoy, Doris Hill, Polly Ann Young, Carroll Nye.Battling with Buffalo Bill. 1931. 217 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Lucille Browne, Rex Bell, William Desmond.Heroes of the West. 1932. 210 minutos. 12 capitulos. Blanco y Negro. Universal. Noah Beery, Jr., Julie Bishop, William Desmond, Onslow Stevens.Clancy of the Mounted. 1933. 225 minutos. 12 capitulos. Blanco y Negro. Universal. Tom Tyler, Jacqueline Wells, William Desmond.Gordon of Ghost City. 1933. 220 minutos. 12 capitulos. Blanco y Negro. Universal. Buck Jones, Madge Bellamy, Walter Miller.The Fighting Trooper. 1934. 61 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Barbara Worth, LeRoy Mason.Outlawed Guns. 1935. 62 minutos. Blanco y Negro. Universal. Buck Jones, Ruth Channing, Roy D’Arcy, Joan Gale.The Roaring West. 1935. 255 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller, Frank McGlynn.The Throwback (El hijo del cuatrero). 1935. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Ivory-Handled Gun (Exterminio). 1935. 58 minutos. Blanco y Negro. Universal. Buck Jones, Charlotte Wynters, Walter Miller.Sunset of Power (El ocaso del poder). 1936. 66 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Dix, Charles B. Middleton.Silver Spurs (El desfiladero perdido). 1936. 60 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, George Hayes.The Cowboy and the Kid (El vaquero y el huerfano). 1936. 58 minutos. Blanco y Negro. Universal. Buck Jones, Dorothy Revier, Billy Burrud.The Phantom Rider. 1936. 258 minutos. 15 capitulos. Blanco y Negro. Universal. Buck Jones, Marla Shelton, Diana Gibson, Harry Woods.The Three Mesquiteers. 1936. 61 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Syd Saylor, Kay Hugues.The Vigilantes Are Coming (co-d.: Mack V. Wright). 1936. 229 minutos. 12 capitulos. Blanco y Negro. Republic. Robert Livingston, Kay Hugues, Guinn Williams, Raymond Hatton.The Painted Stallion (co-d.: Alan James, William Witney). 1937. 212 minutos. 12 capitulos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, LeRoy Mason, Duncan Renaldo, Julia Thayer.Drums of Destiny. 1937. 62 minutos. Blanco y Negro. Crescent. Tom Keene, Edna Lawrence, Robert Fiske.Raw Timber. 1937. 63 minutos. Blanco y Negro. Crescent. Tom Keene, Peggy Keys, Robert Fiske.The Mystery of the Hooded Horsemen (Jinetes enmascarados). 1937. 60 minutos. Blanco y Negro. Grand National. Tex Ritter, Irish Meredith, Horace Murphy.Sudden Bill Dorn. 1937. 60 minutos. Blanco y Negro. Universal. Buck Jones, Noel Francis, Evelyn Brent.Boss of Lonely Valley. 1937. 59 minutos. Blanco y Negro. Universal. Buck Jones, Muriel Evans, Walter Miller.Tex Ritter with the Boy Scouts. 1938. 57 minutos. Blanco y Negro. Grand National. Tex Ritter, Marjorie Reynolds, Snub Pollard.Hawaiian Buckaroo (La ultima emboscada). 1938. 62 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evalyn Knapp, Benny Burt, Pat O’Brien.The Painted Stallion (co-d.: Alan James, William Witney). 1938. 67 minutos. Blanco y Negro. Republic. Ray Corrigan, Hoot Gibson, Jean Carmen.Frontier Town. 1938. 59 minutos. Blanco y Negro. Grand National. Tex Ritter, Ann Evers, Snub Pollard.Rawhide. 1938. 58 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Lou Gehrig, Evalyn Knapp.Flaming Frontiers (co-d.: Alan James). 1938. 15 capitulos. Blanco y Negro. Universal. Johnny Mack Brown, Eleanor Hansen.Panamint’s Bad Man (Jugandose la vida). 1938. 60 minutos. Blanco y Negro. Principal/Fox. Smith Ballew, Evelyn Daw, Noah Beery.Riders of Pasco Basin. 1940. 56 minutos. Blanco y Negro. Universal. John ny Mack Brown, Frances Robinson, Bob Baker, Fuzzy Knight.West of Carson City. 1940. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Peggy Moran, Bob Baker, Fuzzy Knight.Bad Man from Red Butte. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Anne Gwynne, Bob Baker, Fuzzy Knight.Winners of the West (co-d.: Ford Beebe). 1940. 247 minutos. 13 capitulos. Blanco y Negro. Universal. Dick Foran, Anne Nagel.Ragtime Cowboy Joe. 1940. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Lynn Merrick, Fuzzy Knight.Law and Order. 1940. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Fuzzy Knight.Pony Post. 1940. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Dorothy Short, Fuzzy Knight.Boss of Bullion City. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Maria Montez, Fuzzy Knight.Bury Me Not on the Lone Prairie. 1941. 61 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Law of the Range. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Elaine Morley, Fuzzy Knight.Riders of Death Valley (Los jinetes de la muerte) (co-d.: Ford Beebe). 1941. 283 minutos. 15 capitulos. Blanco y Negro. Universal. Dick Foran, Leo Carrillo, Jeannie Kelly.Rawhide Rangers. 1941. 56 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Kathryn Adams, Fuzzy Knight.Man from Montana. 1941. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Fighting Bill Fargo. 1941. 57 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Jeanne Kelly, Fuzzy Knight.Stagecoach Buckaroo. 1942. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Nell O’Day, Anne Nagel, Fuzzy Knight.Cheyenne Roundup. 1943. 59 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.The Lone Star Trail. 1943. 58 minutos. Blanco y Negro. Universal. Johnny Mack Brown, Jennifer Holt, Tex Ritter, Fuzzy Knight.Boss of Boomtown. 1944. 58 minutos. Blanco y Negro. Universal. Rod Cameron, Tom Tyler, Vivian Austin, Fuzzy Knight.Raiders of Ghost City (co-d.: Lewis D. Collins). 1944. 225 minutos. 13 capitulos. Blanco y negro. Universal. Dennis Moore, Wanda McKay.The Royal Mounted Rides Again (co-d.: Lewis D. Collins). 1945. 221 minutos. 13 capitulos. Blanco y Negro. Universal. George Dolenz, Bill Kennedy, Milburn Stone.The Daltons Ride Again (Casta indomable). 1945. 70 minutos. Blanco y Negro. Universal. Alan Curtis, Kent Taylor, Martha O’Driscoll.The Scarlet Horseman (co-d.: Lewis D. Collins). 1946. 248 minutos. 13 capitulos. Blanco y negro. Universal. Peter Cookson, Janet Shaw.Wild Country. 1947. 55 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Peggy Wynne.Law of the Lash. 1947. 53 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary ScottRange Beyond the Blue. 1947. 53 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Helen Mowery.The Michigan Kid (El chico de Michigan/Ninguno como el). 1947. 69 minutos. Cinecolor. Universal. Jon Hall, Rita Johnson, Victor McLaglen.West to Glory. 1947. 56 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Dolores Castle.Border Feud. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Gloria Marlen.Pioneer Justice. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Ghost Town Renegades. 1947. 58 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.The Vigilantes Return. 1947. 67 minutos. Cinecolor. Universal. Jon Hall, Margaret Lindsay, Paula Drew.Stage to Mesa City. 1947. 56 min. B y N. PRC. Lash LaRue, Al St. John.Black Hills. 1947. 60 minutos. Blanco y Negro. PRC. Eddie Dean, Roscoe Ates, Shirley Patterson.Return of the Lash. 1947. 55 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Mary Maynard.The Fighting Vigilantes. 1947. 61 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Jennifer Holt.Shadow Valley. 1947. 59 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Cheyenne Takes Over. 1947. 56 minutos. Blanco y Negro. PRC. Lash LaRue, Al St. John, Nancy Gates.Check Your Guns. 1948. 55 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Nancy Gates.Tornado Range. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Westward Trail. 1948. 56 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Phyllis Planchard.The Hawk of Powder River. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.The Tioga Kid. 1948. 54 minutos. Blanco y Negro. PRC-Eagle Lion. Eddie Dean, Roscoe Ates, Jennifer Holt.Range Justice. 1948. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Felice Ingersall, Max Terhune.The Return of Wildfire (Tierra de heroes). 1948. 83 minutos. Blanco y Negro. Screen Guild. Richard Arlen, Patricia Morison, Mary Beth Hugues.Dead Man’s Gold. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Mark of the Lash. 1948. 60 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Suzi Crandall.Gunning for Justice. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Evelyn Finley, Max Terhune, Raymond Hatton.Hidden Danger. 1948. 55 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Christine Larsen, Max Terhune, Raymond Hatton.Frontier Revenge. 1948. 56 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Peggy Stewart.Outlaw Country. 1949. 66 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Nancy Saunders.Crashing Thru. 1949. 57 minutos. Blanco y Negro. Monogram. Whip Wilson, Christine Larsen, Andy Clyde.Shadows of the West. 1949. 59 minutos. Blanco y Negro. Monogram. Whip Wilson, Reno Browne, Andy Clyde.Law of the West. 1949. 54 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Gerry Patterson, Max Terhune.Son of Billy the Kid. 1949. 65 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Marion Colby.Son of a Badman. 1949. 64 minutos. Blanco y Negro. Screen Guild. Lash LaRue, Al St. John, Noel Neill.West of El Dorado. 1949. 58 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Reno Browne, Max Terhune. -
14 place
place [pleɪs]━━━━━━━━━━━━━━━━━1. noun3. compounds━━━━━━━━━━━━━━━━━1. nouna. endroit m• we came to a place where... nous sommes arrivés à un endroit où...━━━━━━━━━━━━━━━━━► A more specific word is often used to translate place.━━━━━━━━━━━━━━━━━• it's a small place ( = village) c'est un village━━━━━━━━━━━━━━━━━► Note adjective + place translated by adjective alone.━━━━━━━━━━━━━━━━━► place of + noun• place of birth/work lieu m de naissance/de travail• he'll go places all right! ( = make good) il ira loin !• we're going places at last ( = make progress) nous avançons enfin• your place or mine? on va chez moi ou chez toi ?• his business is growing, he needs a bigger place son affaire s'agrandit, il lui faut des locaux plus grandsd. ( = position) place f• (if I were) in your place... (si j'étais) à votre place...• to take the place of sb/sth prendre la place de qn/qch• to fit into place ( = become clear) devenir clair• the moment I changed jobs everything fell into place ( = turned out well) il a suffi que je change de travail pour que tout s'arrangee. (in competition) place f• Paul won the race with Robert in second place Paul a gagné la course et Robert est arrivé deuxième• my personal life has had to take second place to my career ma vie privée a dû passer après ma carrière• he has risen to second place in the opinion polls il occupe maintenant la deuxième place dans les sondagesf. ( = job) place fg. (for student, player) place f• I've looked for him all over the place je l'ai cherché partout► to be in place [object] être à sa place ; [measure, policy, elements] être en place ; [conditions] être rassemblé ; [law, legislation] être en vigueur► in places ( = here and there) par endroits• the snow is very deep in places la neige est très profonde par endroits► in place of à la place de• in the first place, it will be much cheaper d'abord, ça sera beaucoup moins cher• we need to consider why so many people are in prison in the first place nous devons d'abord nous demander pourquoi tant de gens sont en prison• he shouldn't have been there in the first place d'abord, il n'aurait même pas dû être là► in the second place ensuite► out of place [object, remark] déplacéa. ( = put) mettre• events have placed the president in a difficult position les événements ont mis le président en mauvaise posture• we are now well placed to... nous sommes maintenant bien placés pour...b. ( = rank) placer• he places good health among his greatest assets il considère sa bonne santé comme l'un de ses meilleurs atouts• to place local interests above those of central government placer les intérêts locaux avant ceux de l'Étatc. ( = classify) classerd. ( = make) [+ order, contract] passer ; [+ bet] engagere. ( = find job for) trouver un emploi pour• we have so far placed 28 people in permanent jobs jusqu'à présent nous avons réussi à trouver des emplois permanents à 28 personnes• the agency is trying to place him with a building firm l'agence essaie de lui trouver une place dans une entreprise de constructionf. ( = identify) situer• he looked familiar, but I couldn't immediately place him sa tête me disait quelque chose mais je n'arrivais pas à le situer3. compounds━━━━━━━━━━━━━━━━━‼|/b] The French word [b]place is not the commonest translation for place.* * *[pleɪs] 1.1) (location, position) endroit msame time, same place — même heure, même endroit
in places — [hilly, damaged, worn] par endroits
in several places — ( in region) dans plusieurs endroits; ( on body) à plusieurs endroits
place of birth/work — lieu m de naissance/travail
in Oxford, of all places! — à Oxford, figure-toi!
to lose/find one's place — ( in book) perdre/retrouver sa page; (in paragraph, speech) perdre/retrouver le fil
he had no place to go — (colloq) surtout US il n'avait nulle part où aller
some place — (colloq) surtout US quelque part
2) (town, hotel etc) endroit ma little place called... — un petit village du nom de...
all over the place — ( everywhere) partout; fig (colloq) [speech, lecture] complètement décousu; [hair] en bataille
3) ( home)4) (seat, space) (on bus, at table, in queue) place f; ( setting) couvert mto keep a place — garder une place ( for pour)
to lay ou set a place for somebody — mettre un couvert pour quelqu'un
5) (on team, with firm) place f (on dans); (on committee, board) siège m (on au sein de)a place as — une place comme [au pair, cook, cleaner]
6) GB University place f (at à)to get a place on — obtenir une place dans [course]
7) (in competition, race) place fto finish in first place — terminer premier/-ière or à la première place
to take second place — fig ( in importance) passer au deuxième plan
in the first place — fig ( firstly) en premier lieu; ( at the outset) pour commencer
8) (in order, correct position)in place — [law, system, scheme] en place
to put somebody in his/her place — remettre quelqu'un à sa place
9) ( role)to have no place in — n'avoir aucune place dans [organization, philosophy]
10) ( situation)in my/his place — à ma/sa place
11) ( moment) moment m2.in places — [funny, boring, silly] par moments
out of place adjectival phrase déplacé3.to look out of place — [building, person] détonner
in place of prepositional phrase à la place de [person, object]4.transitive verb1) ( put) placer, mettre [object]; mettre [advertisement]to place something back on — remettre quelque chose sur [shelf, table]
2) ( locate) placer3) ( rank) ( in competition) classer; ( in exam) GB classerto be placed third — [horse, athlete] arriver troisième
4) ( identify) situer [person]; reconnaître [accent]5) Administration (send, appoint) placer [student, trainee] (in dans); ( find home for) placer [child]••that young man is really going places — (colloq) voilà un jeune homme qui ira loin
to fall ou fit into place — devenir clair; take place
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15 Bretherton, Howard
1890-1969Uno mas de la larga lista de realizadores de peliculas baratas para consumo inmediato que empezo en el cine casi al mismo tiempo que lo hacia Hollywood, y que despues de ser montador de al menos cuatro peliculas entre 1922 y 1924, salto a la direccion en 1926 con Warner Bros. Al llegar el sonoro lo encontramos dedicado casi por completo al western de serie, en el que trabaja para casi todos, William Boyd (sobre todo), Charles Starrett, Buck Jones, Tim Holt, Don Barry, Bob Steele, Bill Elliott, Johnny Mack Brown, en peliculas con frecuencia intercambiables, de no ser por la personalidad de su protagonista. Segun cual fuera el actor protagonista, asi es la productora: Paramount, Columbia, Monogram, RKO o Republic.Hop-a-Long Cassidy (La cancion del vaquero). 1935. 62 min. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Paula Stone.The Eagle’s Brood. 1935. 59 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Dorothy Revier, Joan Woodbury.Bar 20 Rides Again. 1935. 65 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Jean Rouveral, George Hayes.Call of the Prairie (El ultimo testigo). 1936. 56 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans.Three on the Trail. 1936. 67 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Muriel Evans, George HayesHeart of the West. 1936. 60 minutos. Blanco y Negro. Paramount. William Boyd, Jimmy Ellison, Lynn Gabriel, George Hayes.King of the Royal Mounted. 1936. 61 minutos. Blanco y Negro. Fox. Robert Kent, Rosalind Keith, Jack Luden.Wild Brian Kent. 1936. 60 minutos. Blanco y Negro. Principal/RKO. Ralph Bellamy, Mae Clarke.Secret Valley. 1937. 60 minutos. Blanco y Negro. Fox. Richard Arlen, Virginia Grey.It Happened Out West. 1937. 56 minutos. Blanco y Negro. Fox. Paul Kelly, Judith Allen.Western Gold. 1937. 57 minutos. Blanco y Negro. Fox. Smith Ballew, Heather Angel.The Showdown. 1940. 65 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Britt Wood, Jane Clayton.In Old Colorado. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Russell Hayden, Margaret Hayes, Andy Clyde.Twilight on the Trail. 1941. 58 minutos. Blanco y Negro. Paramount. William Boyd, Andy Clyde, Wanda McKay, Brad King.Outlaws of the Desert. 1941. 66 minutos. Blanco y Negro. Paramount. William Boyd, Jean Phillips, Andy Clyde, Brad King.Riders of the Badlands. 1941. 57 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Kay Hugues.West of Tombstone. 1942. 59 minutos. Blanco y Negro. Columbia. Charles Starrett, Russell Hayden, Marcella Martin.Below the Border. 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Linda Brent, Raymond Hatton.Ghost Town Law. 1942. 62 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Virginia Carpenter, Raymond Hatton.Down Texas Way (La ley del norte). 1942. 57 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Luana Walters, Raymond Hatton.Riders of the West. 1942. 58 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Christine McIntyre, Raymond Hatton.West of the Law. 1942. 60 minutos. Blanco y Negro. Monogram. Buck Jones, Tim McCoy, Evelyn Cooke, Raymond Hatton.Pirates of the Prairie (El terror de Oklahoma). 1942. 57 minutos. Blanco y Negro. RKO. Tim Holt, Cliff Edwards, Nell O’Day.Dawn of the Great Divide. 1942. 63 minutos. Blanco y Negro. Monogram. Buck Jones, Raymond Hatton, Mona Barrie.Carson City Cyclone. 1943. 55 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Emmett Lynn.Santa Fe Scouts. 1943. 57 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lois Collier, Jimmie Dodd.Riders of the Rio Grande. 1943. 55 minutos. Blanco y Negro. Republic. Bob Steele, Tom Tyler, Lorraine Miller, Jimmie Dodd.Fugitive from Sonora. 1943. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Wally Vernon.Beyond the Last Frontier. 1943. 57 minutos. Blanco y Negro. Republic. Eddie Dew, Smiley Burnette, Lorraine Miller.Bordertown Gun Fighters. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.The Man from the Rio Grande. 1943. 57 minutos. Blanco y Negro. Republic. Don Barry, Nancy Gay, Wally Vernon.Wagon Tracks West. 1943. 55 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Hidden Valley Outlaws. 1944. 56 minutos. Blanco y Negro. Republic. Bill Elliott, Anne Jeffreys, George Hayes.Outlaws of Santa Fe. 1944. 56 minutos. Blanco y Negro. Republic. Don Barry, Helen Talbot, Wally Vernon.The San Antonio Kid. 1944. 59 minutos. Blanco y Negro. Republic. Bill Elliott, Linda Stirling, Bob Blake.Law of the Valley. 1944. 52 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Lynne Carver.The Navajo Trail. 1945. 60 minutos. Blanco y Negro Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.The Topeka Terror. 1945. 55 minutos. Blanco y Negro. Republic. Allan Lane, Linda Stirling, Roy Barcroft.Gun Smoke. 1945. 57 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Jennifer Holt.Renegades of the Rio Grande. 1945. 57 minutos. Blanco y Negro. Universal. Rod Cameron, Jennifer Holt, Fuzzy Knight.Ridin’ Down the Trail. 1947. 53 minutos. Blanco y Negro. Monogram. Jimmy Wakely, Dub Taylor, Beverly Jons.Where the North Begins. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.Trail of the Mounties. 1947. 42 minutos. Blanco y Negro. Screen Guild. Russell Hayden, Jennifer Holt.Triggerman. 1948. 56 minutos. Blanco y Negro. Monogram. Johnny Mack Brown, Raymond Hatton, Virginia Carroll.Night Raiders. 1952. 51 minutos. Blanco y Negro. Monogram. Whip Wilson, Fuzzy Knight, Lois Hall.English-Spanish dictionary of western films > Bretherton, Howard
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16 place
A n1 (location, position) endroit m ; to move from place to place se déplacer d'un endroit à l'autre ; I hope this is the right place j'espère que c'est le bon endroit ; we've come to the wrong place nous nous sommes trompés d'endroit ; the best place to buy sth le meilleur endroit pour acheter qch ; same time, same place même heure, même endroit ; in many places dans de nombreux endroits ; in places [hilly, damaged, worn] par endroits ; her leg had been stung in several places elle avait été piquée à la jambe à plusieurs endroits ; a place for un endroit pour [meeting, party, monument, office] ; a place to do un endroit pour faire ; a safe place to hide un endroit sûr pour se cacher ; a good place to plant roses un bon endroit pour planter des roses ; a place where un endroit où ; it's no place for a child! ce n'est pas un endroit pour un enfant! ; the perfect place for a writer l'endroit or le lieu idéal pour un écrivain ; this is the place for me! c'est le rêve ici! ; if you need peace and quiet, then this is not the place! si tu veux être tranquille, alors ce n'est pas l'endroit rêvé! ; to be in the right place at the right time être là où il faut quand il le faut ; to be in two places at once être au four et au moulin, être partout à la fois ; not here, of all places! surtout pas ici! ; in Oxford, of all places! à Oxford, figure-toi! ;2 (town, hotel etc) endroit m ; a nice/strange place to live un endroit agréable/bizarre pour vivre ; a good place to eat une bonne adresse (pour manger) ; we stayed at a place on the coast nous étions sur la côte ; a little place called… un petit village du nom de… ; in a place like Kent/Austria dans une région comme le Kent/un pays comme l'Autriche ; this place is filthy! cet endroit est dégoûtant! ; he threatened to burn the place down ○ il a menacé d'y mettre le feu ; to be seen in all the right places se montrer dans les lieux qui comptent ; all over the place ( everywhere) partout ; fig ○ [speech, lecture] complètement décousu ; your hair is all over the place ○ ! tu es complètement décoiffé! ;3 ( for specific purpose) place of birth/work/pilgrimage lieu m de naissance/travail/pèlerinage ; place of residence domicile m ; place of refuge refuge m ;4 ( home) ( house) maison f ; ( apartment) appartement m ; David's place chez David ; a place by the sea une maison au bord de la mer ; a place of one's own un endroit à soi ; your place or mine? chez toi ou chez moi? ;5 (seat, space) (on bus, at table, in queue) place f ; ( setting) couvert m ; to keep a place garder une place (for pour) ; to find/lose one's place trouver/perdre sa place ; to show sb to his/her place conduire qn à sa place ; please take your places veuillez prendre place ; I couldn't find a place to park je n'ai pas trouvé de place pour me garer ; to lay ou set a place for sb mettre un couvert pour qn ; is this place taken? cette place est-elle prise? ;6 (on team, with firm) place f (on dans) ; (on committee, board) siège m (on au sein de) ; a place as une place comme [au pair, cook, cleaner] ;7 GB Univ place f (at à) ; to get a place on obtenir une place dans [course] ; she got a place on the fashion design course elle a obtenu une place en cours de stylisme ; she has a place on a carpentry course elle a été acceptée pour suivre des cours de menuiserie ;8 lit (in competition, race) place f ; to finish in first place terminer premier/-ière or à la première place ; he backed Red Rum for a place Turf il a joué Red Rum placé ; to take second place fig ( in importance) passer au deuxième plan ; to take second place to sth passer après qch ; to relegate sth to second place faire passer qch en second ;9 (in argument, analysis) in the first place ( firstly) en premier lieu ; ( at the outset) pour commencer ; how much money did we have in the first place? combien d'argent avions-nous pour commencer? ;10 ( correct position) to put sth in place mettre qch en place [fencing, construction] ; to push sth back into place remettre qch en place ; to return sth to its place remettre qch à sa place ; everything is in its place tout est bien à sa place ; to hold sth in place maintenir qch en place ; when the lever is in place quand le levier est engagé ; is the lid in place? est-ce que le couvercle est mis? ; in place [law, system, scheme] en place ; to put sth in place mettre qch en place [scheme, system, regime] ;11 ( rank) sb's/sth's place in la place de qn/qch dans [world, society, history, politics] ; to take one's place in society prendre sa place dans la société ; to put sb in his/her place remettre qn à sa place ; to know one's place rester à sa place ;12 ( role) it's not my place to do ce n'est pas à moi de faire ; to fill sb's place remplacer qn ; to take sb's place, take the place of sb prendre la place de qn ; to have no place in n'avoir aucune place dans [organization, philosophy, creed] ; there is a place for someone like her in this company il y a une place pour une femme comme elle dans cette entreprise ; there are places for people like you ○ ! fig péj ça se soigne ○ ! ;13 ( situation) in my/his place à ma/sa place ; in your place, I'd have done the same à ta place, j'aurais fait la même chose ; to change ou trade places with sb changer de place avec qn ;14 ( moment) moment m ; in places [funny, boring, silly] par moments ; this is not the place to do ce n'est pas le moment de faire ; this is a good place to begin c'est un bon moment pour commencer ; there were places in the film where… il y avait des moments dans le film où… ;15 ( in book) (in paragraph, speech) to mark one's place marquer sa page ; to lose/find one's place ( in book) perdre/retrouver sa page ; (in paragraph, speech) perdre/retrouver le fil ;16 ○ US ( unspecified location) some place quelque part ; no place nulle part ; he had no place to go il n'avait nulle part où aller ; he always wants to go places with us il veut toujours venir avec nous ; she goes places on her bicycle elle se déplace à bicyclette.B out of place adj phr [remark, behaviour] déplacé ; [language, tone] inapproprié ; to look out of place [building, person] détonner ; to feel out of place ne pas se sentir à l'aise.C in place of prep phr à la place de [person, object] ; X is playing in place of Y X remplace Y ; he spoke in my place il a parlé à ma place.D vtr1 lit ( put carefully) placer ; ( arrange) disposer ; place the cucumber slices around the edge of the plate disposez les rondelles de concombre autour de l'assiette ; she placed the vase in the middle of the table elle a placé le vase au milieu de la table ; place the smaller bowl inside the larger one mets le petit bol dans le grand ; to place sth back on remettre qch sur [shelf, table] ; to place sth in the correct order mettre qch dans le bon ordre ;2 ( locate) placer ; to be strategically/awkwardly placed être bien/mal placé ; the switch had been placed too high l'interrupteur avait été placé trop haut ;3 ( using service) to place an advertisement in the paper mettre une annonce dans le journal ; to place an order for sth passer une commande pour qch ; to place a bet parier, faire un pari (on sur) ;4 fig ( put) to place emphasis on sth mettre l'accent sur qch ; to place one's trust in sb/sth placer sa confiance en qn/qch ; to place sb in a difficult situation/in a dilemma mettre qn dans une situation difficile/devant un dilemme ; to place sb at risk faire courir des risques à qn ; to place the blame on sb rejeter toute la faute sur qn ; two propositions were placed before those present deux propositions ont été soumises aux personnes présentes ;5 ( rank) ( in competition) classer ; ( in exam) GB classer ; to be placed third [horse, athlete] arriver troisième ;6 ( judge) juger ; to be placed among the top scientists of one's generation être jugé comme un des plus grands scientifiques de sa génération ; where would you place him in relation to his colleagues? comment le jugeriez-vous par rapport à ses collègues? ;7 ( identify) situer [person] ; reconnaître [accent] ; I can't place his face je ne le reconnais pas ;8 ( find home for) placer [child] ;9 Admin (send, appoint) placer [student, trainee] (in dans) ; to place sb in charge of staff/a project confier la direction du personnel/d'un projet à qn ; to be placed in quarantine être placé en quarantaine.1 gen ( situated) to be well placed être bien placé (to do pour faire) ; he is not well placed to judge il est mal placé pour juger ; she is well/better placed to speak on this subject elle est bien/mieux placée pour parler de ce sujet ;that young man is really going places ○ voilà un jeune homme qui ira loin ; to have friends in high places avoir des amis haut placés ; corruption in high places la corruption en haut lieu ; to fall ou click ou fit into place devenir clair ; ⇒ take place (take). -
17 Johnson, Isaac Charles
[br]b. 28 January 1811 Vauxhall, London, Englandd. 29 November 1911 Gravesend (?), Kent, England[br]English contributor to the development of efficient hydraulic cements.[br]As a young man Johnson studied both chemistry and physics and gained some experience in the manufacture of cement before joining the firm of John Bazely White as Works Manager at Swanscombe in Kent in 1838. He spent some years investigating the production processes and left the firm to set up on his own in 1851 on the Limehouse Reach of the River Medway, moving later to Gateshead on the River Tyne. Johnson produced a cement that was a great improvement on that of Parker and of Frost: like William Aspdin (see Aspdin, Joseph), he made a true Portland cement by mixing chalk, clay and water, and then clinkering the mixture. He used local clay at Gateshead and had the chalk shipped from the Thames area. In 1872 Johnson patented an improved bottle kiln, called the Johnson Chamber Kiln; it was of horizontal design, which speeded up manufacturing processes.[br]Further ReadingA.J.Francis, The Cement Industry 1796–1914: A History, David \& Charles.DY -
18 come
1. I1) coming! иду!; come and have supper with us (and hear her, etc.) приходите к нам поужинать и т. д.', people come and go люди приходят и уходят; let' em all come! пусть они все приезжают!; has anybody come? кто-нибудь приходил?; the саг has come машина пришла2) I waited for the books to come я ждал, когда придут /прибудут, доставят/ книги; dinner came принесли обед3) help (money, your order, etc.) came пришла /подоспела/ помощь и т. д.4) day (the holiday, Christmas, his turn, etc.) came день и т. д. наступил; old age came подошла старость; when the time came когда пришло /подошло/ время; crisis came наступил кризис; after many years had come and gone no прошествии многих лет; in days (years, etc.) to come в будущем, в грядущие годы; in the life to come в дальнейшей жизни; he will stay here for some.time (for some months, etc.) to come он пробудет здесь еще некоторое время и т. д.', his troubles are yet to come неприятности у него еще впереди, ему еще предстоят неприятности; be ready for whatever comes будьте готовы ко всему, что может случиться5) his teeth begin to come у него начинают появляться /прорезаться/ зубы; his colour came and went он то краснел, то бледнел; the pain comes and goes боль то появляется, то исчезает; the light comes and goes свет то загорается, то гаснет2. II1) come in some manner come reluctantly (briskly, swiftly, constantly, silently, hesitatingly, jauntily, drunkenly, etc.) неохотно и т. д. приходить /подходить/; come он foot прийти пешком; they came one by one (one after another) они шли (приходили) по одному и т. д.; come at some time comeevery day (tomorrow, soon, etc.) приходить каждый день и т. д., you go on, I'm just coming вы идите, я сейчас приду; he has not come yet? он еще не пришел /не приехал/?; who is coming today? кто сегодня приезжает?; come and see me tomorrow приходите ко мне завтра [повидаться]; come somewhere come home (here, there, etc.) приходить домой и т. д.; are you coming my way? вам со мной по пути?; come in! войдите!; come out выходить; come up подняться [наверх]; I'm still in bed, can you come up? я еще [лежу] в постели, вы не могли бы подняться ко мне?; come down сойти /спуститься/ [вниз]; come back прийти назад /обратно/, вернуться; this fashion has come back эта мода и т. д. вернулась [снова]; come away отходить [прочь]; you're too near the stove, come away ты стоишь слишком близко к плите, отойди подальше: come nearer подойдите поближе; come forward выступать вперед; several members of our group came forward a) несколько членов нашей группы выступили /вышли/ вперед; б) из нашей группы вызвалось несколько добровольцев; come by /past/ проходить мимо; did you see anyone come by? тут никто не проходил?2) come at some time post comes every day (twice a day, etc.) почта приходит /почту приносят, привозят, доставляют/ каждый день и т. д.; dinner came at last обед наконец принесли3) come at some time inspiration ( love, sleep, etc.) never came вдохновение и т. д. так и не пришло; help came at last (soon enough, etc.) наконец и т. д. подоспела помощь; summer came early (late) лето наступило /пришло/ рано (поздно), лето было раннее (позднее); this holiday comes once a year этот праздник бывает один раз в году4) come at lame time buds come every spring почки появляются каждую весну; this flower comes once a year этот цветок цветет раз в год5) come in some manner the job is coning nicely (badly, etc..) работа идет хорошо и т.д., the garden is coming well в моем саду все хорошо растет3. III1) come some distance come a long way (three miles, etc.) пройти большой /длинный/ путь и т. д.2) come smb. coll. come the grand dame (the swell, the stern parent, the great man, etc.) напускать на себя вид светской дамы и т. д.4. X1) come to be in some state he came [back] refreshed in mind and body (changed, etc.) он вернулся отдохнувшим душой и телом и т. д.2) 0 come undone /untied/ развязаться; come unstitched / unsown/ распороться, разойтись по шву; come unstuck отклеиться5. XIII1) come to do smth. come to borrow a dictionary (to paint the house, to work, to clean the windows, to get this book. to see him, etc.) прийти [, чтобы] взять на время словарь и т. д.2) come to do smth. I came to believe that (to use it, to understand it, to see that I was mistaken, etc.) я стал /начал/ верить этому и т. д.; he came to see the problem in a new light он теперь видит эту проблему в новом свете; now I came to know him better... теперь, когда я узнал его лучше...; when I come to die... когда настанет мой смертный час...; how did you come to hear of it (to know this, to learn where she is living, to do that, to think of this, etc.)? как случилось, что вы узнали об этом и т. д.?; now that I come to think of it he is right подумав об этом еще раз /обдумав этот вопрос/, я понял, что он прав; come to be done the streets have come to be used as motor parks/пропущено/3) semiauxcome to be smb. he came to be a famous man (a good violinist, etc.) он стал знаменитым и т. д.; come to be in some state how does the door come to be open? почему открыта дверь?6. XIVcome doing smth. he came running он прибежал /примчался/; she came laughing она пришла или вошла смеясь /со смехом/; the sunshine came streaming in through the windows солнечные лучи, проникавшие через окно, заливали комнату; the rain came pouring down дождь лил как из ведра; the train came puffing into the station поезд пыхтя подошел к станции7. XV||1)come first (third, etc.) приходить первым и т. д.2)come to be in some state come loose ослабнуть, расшататься; come apart /asunder/ развалиться на части, распасться; things will come right coll. все будет в порядке; come true сбываться; come alive оживать; good clothes come high /expensive/ хорошие вещи стоят дорого; it comes cheaper if you buy things in bulk если покупать оптом, выходит дешевле; rising early comes easy with practice если привык рано вставать, то это совсем нетрудно; it comes natural to some people у некоторых людей это получается без всякого труда; come clean sl. "расколоться", все рассказать8. XVI1) come into (out of, to, from, along, across, etc.) some place come Into a room войти в комнату: come into the garden выйти в сад; the train came into the station поезд подошел к станции; come out of a room (out of a place, out of a house, etc.) выходить из комнаты и т. д., come to a river (to a bridge, to a village, to a station, etc.) подходить /приходить/ к реке и т. д.', come from another country (from London. etc.) приехать из другой страны и т. д.', come down from a tree спуститься с дерева; come down to this level (to the 5 ft level, etc.) опуститься до этого уровня и т. д.; come by the house (round the church, across the Alps, etc.) пройти /проехать/ мимо дома и т. д.; come through his clothes (through the wood, through the wall, etc.) проникать сквозь /через/ одежду и т. д.; come with smb. I'm coming with you я иду с вами; come with me a little way пройдемте немного со мной; will you come with me to India? вы поедете со мной в Индию?; come after smb. come after his sister идти /приходить/ вслед за его сестрой; come for /after/ smth., smb. come for one's book (for their ladder, for his present, for you, etc.) приходить за своей книгой и т. д.; they came after my passport они пришли за моим паспортом; come in smth. come in groups (in swarms. in twoes, etc.) приходить (идти) группами и т. д.: come by smth. come by саг (by train, by air, by boat, etc.) приезжать машиной /на машине/ и т. д.; come (at some time come on the tenth (before midnight, after lunch, in the evening, etc.) приходить /приезжать/ десятого и т.д.; she won't come till late она не придет допоздна; come off smth. come oft a bicycle (off a horse, off a ship, etc.) сойти с велосипеда и т. д.2) come on smth. there came a knock on the door послышался стук в дверь, в дверь постучали3) come for smth. come for advice (for an explanation, for an answer, etc.) приходить /обращаться/ за советом и т. д.; come to smb. why didn't you come to me? почему вы не пришли /не обратились/ ко мне?; you came to the wrong person вы пришли / обратились/ не к тому человеку; come before smb., smth. come before a judge (before a conciliation court, before the United Nations Assembly, etc.) представать перед судьей и т. д.; the matter came before the international court (the League of Nations, etc.) это дело разбиралось в международном арбитраже и т. д.4) come to smb. love (inspiration, etc.) came to him к нему пришла /его посетила/ любовь и т. д.; everything comes to him who waits все приходит к тому, кто умеет ждать; come upon smb. a disaster (a misfortune, a calamity, bad luck, etc.) came upon them у них произошло /их постигло/ несчастье и т. д., fear came upon me меня охватил страх; come over smb. what has come over him? что на него нашло?; а fit of dizziness came over me мне стало нехорошо, у меня закружилась голова; а change has come over him он изменился; come into (across) smth. an idea (a thought, a plan, etc.) came into my head /into my mind, across my mind/ мне в голову пришла идея и т. д.; come upon (to) smb. it came upon me that... я вдруг понял /подумал/, что...; the answer came to him вдруг он понял, как надо ответить5) come after (before, on, etc.) smth., smb. spring comes after winter (May comes after April, New Year comes after Christmas, etc.) после зимы приходит /наступает/ весна и т.д.; historians (painters, etc.) that came after him историки и т. д., жившие после него; generations (civilizations, etc.) that came before him предшествующие поколения и т. д.; come in (on) smth. that poem comes on the next page это стихотворение дано на следующей странице; her aria comes in the 3d act ее ария будет в третьем акте; snow comes in winter снег выпадает зимой; new leaves came in spring весной появились свежие листочки; come into (to, in) smth. a look of perplexity came into his face выражение недоумения появилось у него на лице; а smile came to his lips он улыбнулся; tears came in her eyes на.ее глаза навернулись слезы; come to the surface всплывать, подниматься на поверхность; come into sight появиться в поле зрения; come into the world появиться на свет; come between smb. he (his money, her sister, etc.) came between them он и т. д. встал между ними; а misunderstanding came between them между ними возникло недоразумение; enmity came between them они стали врагами6) come to smth. come to this question (to the next item on the agenda, to the section on health, etc.) перейти к этому вопросу и т.д., come near smth. come near perfection приближаться к совершенству; I cannot come near that painter я не могу сравниться с этим художником, мне до этого художника очень далеко7) come to smth. come to one's knees(to her ankles, to the ground, to her waist, etc.) доходить до колен и т. д., the forest comes right to the lake лес подходит к самому озеру8) semiaux come into smth. come into blossom /into flower/ зацвести; come into leaf одеться листвой; trees came into bud на деревьях набухли почки9) come to smth. come to an understanding (to a decision, to an agreement, to terms with him, etc.) достигнуть понимания и т. д.; come to an end закончиться; come to the end of one's money /of one's resources/ исчерпать свои ресурсы; our talks came to a standstill наши переговоры зашли в тупик; the boys came to blows у мальчишек дело дошло до драки10) semiaux come to smth. come to L 6 (to a nice lot of money, to L 1000 a year, etc.) равняться шести фунтам и т. д.; исчисляться шестью фунтами и т.д; how much does it come to? a) сколько это будет стоить?; б) чему это равняется?; duty comes to more than this thing is worth пошлина превышает стоимость самой вещи; what he knows does not come to much его знания /сведения/ немногого стоят; come to the same thing сводиться к тому же самому; all his efforts (his plans, etc.) came to naught /to nothing/ из его стараний и т. д. ничего не вышло; if it comes to that если дело дойдет до этого; what are things coming to? к чему все идет?11) come to (into) smth. this law will soon come into force /into effect/ этот закон вскоре вступит в силу; come to the throne занять престол; come (in)to power прийти к власти; come into fashion (into use) входить в моду (в употребление); these two tendencies came into conflict эти две тенденции вступили в противоречие; he came to life он пришел в себя /ожил/ the conflict came to a boil конфликт назрел; when all the facts came to light когда стали известны /выяснились/ все факты; it came to my notice /to my ears, to my knowledge мне стало известно об этом; they will come to no harm с ними ничего не случится; he will come to a bad end /to no good, to grief/ он плохо кончит; come of age достичь совершеннолетия12) come of /from, out of/ smth. this comes of carelessness (of your indiscretion, of disobedience, etc.) вот что получается в результате небрежности и т. д., вот к чему приводит небрежность и т. д.', what came of it? что из этого вышло?; nothing came of the matter ничего из этого дела не получилось; nothing came out of all this talk эти разговоры ничего не дали; success often comes from hard work успех нередко достигается упорным трудом13) come through smth. come. through trials (through sufferings, through a serious illness, etc.) пройти через испытания и т.д., come through two world wars пережить две мировые войны14) come upon /across/ smb., smth. come upon /across/ one's friend (these people, etc.) случайно встретить друга и т. д, I have just come upon him (across the postman, upon your brother, etc.) я только что [случайно] столкнулся с ним и т. д.; come upon the right answer (upon a secret, upon a jar full of ancient coins, etc.) натолкнуться на /случайно найти/ правильный ответ и т. д, I came across this in a curio shop (across this magazine, across an envelope with her note in it, etc.) мне случайно попалась эта вещь в антикварном магазине и т. д.; wandering through these valleys you will come across rare minerals, plants and butterflies бродя по этим долинам, можно отыскать /найти/ редкие минералы, растения и бабочек15) come at smb. he came at these people (at me, at the intruder, at the boys with a heavy stick, etc.) он бросился на этих людей и т. д; just let me come at you! дай мне только добраться до тебя!16) come into smth. come into a property (into an inheritance, into a fortune, into an estate, into money, into a nice income, into business, etc.) получить /приобрести/ собственность и т. д.', come into favour войти в милость, заслужить благосклонность17) come under smth. come under another heading (under the penalty of the law, etc.) подходить под другую рубрику и т. д, what regulations does this come under? в каких правилах это предусмотрено?; come within smth. come within my duties (within my lot, etc.) входить в мои обязанности и т. д.', come before smth. counts (barons) come before baronets титул графа и барона выше титула баронета18) come in smth. come in several sizes (in different colours, etc.) быть разных размеров и т. д.; these things come in tubes (in boxes, etc.) такие товары продаются в тюбиках и т. д.19) come from /of/ smb., smth. he comes from a good family (of noble parents, of peasant stock, etc.) он [происходит] из хорошей семьи и т. д., he comes from my native place (from Kent, from Florida, etc.) он [родом] из наших мест и т. д., where do you come from? откуда вы родом?; this word comes from Latin это слово латинского происхождения /пришло из латыни/; this quotation comes from Pushkin это цитата из Пушкина; the money came to him from his father (from his wife, from a rich uncle, etc.) он получил деньги от отца и т. д.; wine comes from grapes вино делают из винограда; coffee comes from Brazil кофе импортируют из Бразилии; much of the Iamb eaten in England comes from New Zealand большая часть баранины, потребляемой в Англии, ввозится из Новой Зеландии20) come from smth., smb. a sob came from her throat у нее вырвалось рыдание; no word came from him он никак не давал о себе знать; everything that comes from him is evil от него исходит только дурное9. XVII1) come to doing smth. when (if) it comes to making a decision (to buying a house, etc.) если придется решать и т. д.; he came near to leaving her (to dying, to killing himself, etc.) он чуть было не бросил ее и т. д.2) come of doing smth. this is what comes of losing hope (of grumbling, of trying to help people, of judging by the eye, etc.) вот что получается, когда человек теряет надежду и т. д; what came of all your careful planning? что вышло из всех ваших точных расчетов?; come of being in some state it comes of being careless (of being in a hurry, of being tired, etc.) это происходит из-за небрежности и т. д.', come of being of some quality this comes of being so shy (of being miserly, of being illiterate, etc.) это является результатом робости и т. д.10. XXI1come smth. over smb. coll. he likes to come the heavy father over me он любит проявлять свой отцовскую власть надо мной11. XXV1) come when... time will come when... настанет время, когда... || come what may будь, что будет2) come that... how does it come that you quarreled ( that there are only two, that you didn't get here in time, etc.)? как случилось, что вы поссорились и т. д.?12. XXVII2come into (to) smth. that... (why..., etc.) it came into my head that мне пришло в голову, что...; it came to my hearing that... до меня дошло, что...; if it comes to that why don't you tell him yourself? раз такие дело или если на то пошло, почему ты сам ему не скажешь? -
19 Fraser, Harry L.
1889-1974Director de cerca de 70 filmes sonoros, entre 1930 y 1950, ademas de un punado de filmes mudos. Escritor de guiones, mas o menos en el mismo intervalo de tiempo, y ayudante de direccion, tambien en las mismas fechas, con el seudonimo Harry O. Jones, sin duda por pudor profesional. Su mundo es el del western, al que dedico la inmensa mayoria de su produccion, obras cuyo presupuesto y sus inquietudes artisticas eran igualmente reducidos.The Montana Kid. 1931. 64 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Doris Hill.Oklahoma Jim (El terror de Oklahoma). 1931. 61 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Marion Burns.Land of Wanted Men. 1931. 60 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Sheila Mannors.Ghost City (Oro en el monte). 1932. 60 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Helen Forrest.Vanishing Men. 1932. 62 minutos. Blanco y Negro. Monogram. Tom Tyler, Raymond Keane, Adele Lacy.Mason of the Mounted. 1932. 58 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Nancy Drexel.Law of the North (La ley del Norte). 1932. 55 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Nadine Dore.Texas Pioneers (Praderas sangrientas). 1932. 58 minutos. Blanco y Negro. Monogram. Bill Cody, Andy Shuford, Sheila Mannors.Honor of the Mounted (El honor del batallon). 1932. 62 minutos. Blanco y Negro. Monogram. Tom Tyler, Francis McDonald.From Broadway to Cheyenne (Los gangsters del Oeste). 1932. 62 minutos. Blanco y Negro. Monogram. Rex Bell, Marceline Day.The Man from Arizona (El hombre de Arizona). 1932. 58 minutos. Blanco y Negro. Monogram. Rex Bell, Naomi Judge.The Diamond Trail (La senda del diamante). 1932. 60 minutos. Blanco y Negro. Monogram. Rex Bell, Frances Rich.Rainbow Ranch (La bala acusadora). 1933. 55 minutos. Blanco y Negro. Monogram. Rex Bell, Cecilia Parker.The Fighting Parson. 1933. 70 minutos. Blanco y Negro. Allied Artists. Hoot Gibson, Marceline Day.The Fugitive (El fugitivo del Oeste). 1933. 56 minutos. Blanco y Negro. Monogram. Rex Bell, Cecilia Parker.Randy Rides Alone. 1934. 53 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Alberta Vaughn.Fighting Through. 1934. 55 minutos. Blanco y Negro. Willis Kent. Reb Russell, Lucille Lund.Gunfire. 1934. 56 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.Neath the Arizona Skies. 1934. 52 minutos. Blanco y Negro. Monogram/Lone Star. John Wayne, Sheila Terry.The Tonto Kid. 1935. 61 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.The Reckless Buckaroo. 1935. 57 minutos. Blanco y Negro. Crescent. Bill Cody, Bill Cody, Jr., Betty Mack.Wagon Trail. 1935. 55 minutos. Blanco y Negro. Ajax. Harry Carey, Gertrude Messinger.Rustler’s Paradise. 1935. 61 minutos. Blanco y Negro. Ajax. Harry Carey, Gertrude Messinger.Fighting Pioneers. 1935. 60 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.Saddle Aces. 1935. 56 minutos. Blanco y Negro. Resolute. Rex Bell, Ruth Mix, Buzz Barton.Wild Mustang. 1935. 62 minutos. Blanco y Negro. Ajax. Harry Carey, Barbara Fritchie.The Last of the Clintons. 1935. 60 minutos. Blanco y Negro. Ajax. Harry Carey, Betty Mack.Ace’s Wild. 1936. 57 minutos. Blanco y Negro. Commodore. Harry Carey, Gertrude Messinger.Ghost Town. 1936. 60 minutos. Blanco y Negro. Commodore. Harry Carey, Ruth Findlay.Hair-Trigger Casey. 1936. 59 minutos. Blanco y Negro. Atlantic. Jack Perrin, Betty Mack.Wildcat Saunders. 1936. 60 minutos. Blanco y Negro. Atlantic. Jack Perrin, Blanche Mehaffey.Feud of the West. 1936. 62 minutos. Blanco y Negro. Diversion. Hoot Gibson, Joan Barclay.The Riding Avenger. 1936. 58 minutos. Blanco y Negro. Diversion. Hoot Gibson, Ruth Mix.Romance Rides the Range. 1936. 59 minutos. Blanco y Negro. Spectrum. Fred Scott, Marion Shilling.Cavalcade of the West. 1936. 59 minutos. Blanco y Negro. Diversion. Hoot Gibson, Marion Shilling, Rex Lease.Galloping Dynamite. 1937. 57 minutos. Blanco y Negro. Ambassador. Kermit Maynard, Ariane Allen, John Merton.Heroes of the Alamo. 1937. 75 minutos. Blanco y Negro. Sunset (Columbia). Rex Lease, Lane Chandler.Six Shootin’ Sheriff. 1938. 59 minutos. Blanco y Negro. Grand National. Ken Maynard, Marjorie Reynolds.Songs and Saddles. 1938. 65 minutos. Blanco y Negro. Colony. Gene Austin, Lynne Berkeley.Lure of the Wasteland. 1939. 55 minutos. Blanco y Negro/Teleco-color. Al Lane Pictures (Monogram). Grant Withers, LeRoy Mason, Marion Arnold.Phantom Rancher. 1940. 61 minutos. Blanco y Negro. Colony. Ken Maynard, Dorothy Short.Lightning Strikes West. 1940. 56 minutos. Blanco y Negro. Colony. Ken Maynard, Claire Rochelle.Gunsmoke Mesa. 1944. 59 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Patti McCarty.Outlaw Roundup. 1944. 55 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Helen Chapman.Brand of the Devil. 1944. 57 minutos. Blanco y Negro. PRC. Dave O’Brien, Jim Newill, Ellen Hall.Enemy of the Law. 1945. 59 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Kay Hugues.Three in the Saddle. 1945. 61 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Lorraine Miller.Frontier Fugitives. 1945. 53 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Lorraine Miller.Flaming Bullets. 1945. 55 minutos. Blanco y Negro. PRC. Tex Ritter, Dave O’Brien, Patricia Knox.The Navajo Kid. 1945. 59 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Caren Marsh.Six Gun Man. 1946. 57 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Jean Carlin.Ambush Trail. 1946. 60 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Lorraine Miller.Thunder Town. 1946. 57 minutos. Blanco y Negro. PRC. Bob Steele, Syd Saylor, Ellen Hall.Stallion Canyon. 1949. 72 minutos. Trucolor. Kanab/Astor. Ken Curtis, Carolina Cotton.English-Spanish dictionary of western films > Fraser, Harry L.
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20 Sherman, George
1908-1991Nacido en Nueva York. Ayudante de direccion desde 1932 y director de mas de cien peliculas desde 1937, primero para Republic hasta 1944, mas tarde para Columbia hasta 1948, y despues hasta 1956 para Universal. A medida que pasaba de una productora a otra los presupuestos de sus peliculas iban siendo mas holgados, por lo que no es de extranar que su ultimo western, que es tambien su ultima pelicula, El gran Jack, sea la de presupuesto mas amplio y, dicho sea de paso, la mejor. Sherman es, sin lugar a dudas, uno de los grandes especialistas del western. Una ojeada a su filmografia hace innecesarias otras explicaciones; entre 1937 y 1943 trabaja a un ritmo frenetico para satisfacer las necesidades de algunas de las estrellas del genero, destacando, en particular, su dedicacion a la serie The Three Mes quiteers. A partir de 1946 realiza sus obras mas personales, que, sin pasar de discretas, cumplen sobradamente su cometido.Wild Horse Rodeo. 1937. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, June Martel.The Purple Vigilantes. 1938. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Joan Barclay.Outlaws of Sonora. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Jean Joyce.Riders of the Black Hills. 1938. 55 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Ann Evers.Heroes of the Hills. 1938. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Ray Corrigan, Max Terhune, Priscilla Lawson.Pals of the Saddle. 1938. 55 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Doreen McKay.Overland Stage Raiders. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Louise Brooks.Rhythm of the Saddle. 1938. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Peggy Moran.Santa Fe Stampede. 1938. 58 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, June Martel.Red River Range. 1938. 56 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Polly Moran, Lorna Gray.Mexicali Rose. 1939. 58 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Luana Walters.The Night Riders. 1939. 58 minutos. Blanco y Negro. Republic. John Way ne, Ray Corrigan, Max Terhune, Doreen McKay, Ruth Rogers.Three Texas Steers. 1939. 59 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Max Terhune, Carole Landis.Wyoming Outlaw. 1939. 62 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Adele Pearce.Colorado Sunset. 1939. 61 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey.New Frontier. 1939. 57 minutos. Blanco y Negro. Republic. John Wayne, Ray Corrigan, Raymond Hatton, Phyllis Isley (Jennifer Jones).The Kansas Terrors. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Jacqueline Wells (Julie Bishop).Rovin’ Tumbleweeds. 1939. 62 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, Mary Carlisle.The Cowboys from Texas. 1939. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Carole Landis.South of the Border. 1939. 71 minutos. Blanco y Negro. Republic. Gene Autry, Smiley Burnette, June Storey, Lupita Tovar.Ghost Valley Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Lona Andre, LeRoy Mason.Covered Wagon Days. 1940. 56 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Kay Griffith, Ruth Robinson.Rocky Mountain Rangers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Raymond Hatton, Duncan Renaldo, Rosella Towne.One Man’s Law. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Janet Waldo, Dub Taylor.The Tulsa Kid. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Luana Walters, Jimmy Wakely.Under Texas Skies. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Lois Ranson.Frontier Vengeance (co-d.: Nate Watt). 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Betty Moran.The Trail Blazers. 1940. 58 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, Pauline Moore.Texas Terrors. 1940. 57 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Al St. John.Lone Star Raiders. 1940. 57 minutos. Blanco y Negro. Republic. Robert Livingston, Bob Steele, Rufe Davis, June Johnson, Sarah Padden.Wyoming Wildcat. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Julie Duncan, Syd Taylor.The Phantom Cowboy. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Virginia Carroll, Rex Lease.Two Gun Sheriff. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Desert Bandit. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Kansas Cyclone. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.The Apache Kid. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Death Valley Outlaws. 1941. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.A Missouri Outlaw. 1941. 58 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick.Arizona Terror. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Stagecoach Express. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St.John.Jesse James, Jr. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Al St. John.Cyclone Kid. 1942. 57 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The Sombrero Kid. 1942. 56 minutos. Blanco y Negro. Republic. Don Barry, Lynn Merrick, Lloyd Andrews.The West Side Kid. 1943. 58 minutos. Blanco y Negro. Republic. Don Ba rry, Dale Evans, Henry Hull.Renegades (Renegados). 1946. 88 minutos. Technicolor. Columbia. Eve lyn Keyes, Willard Parker, Larry Parks.Last of the Redmen. 1947. 77 minutos. Cinecolor. Key Pictures (Columbia). Jon Hall, Julie Bishop, Evelyn Ankers, Michael O’Shea.Relentless. 1948. 93 minutos. Technicolor. Cavalier Productions (Colum bia). Robert Young, Marguerite Chapman, Willard Parker, Akim Tamiroff.Black Bart (El enmascarado). 1948. 80 minutos. Technicolor. Universal. Yvonne De Carlo, Dan Duryea, Jeffrey Lynn.River Lady (Rio abajo). 1948. 78 minutos. Universal. Yvonne De Carlo, Dan Duryea, Rod Cameron, Helena Carter.Red Canyon (Huracan). 1949. 82 minutos. Technicolor. Universal. Ann Blyth, Howard Duff, George Brent.Calamity Jane and Sam Bass. 1949. 85 minutos. Technicolor. Universal. Yvonne De Carlo, Howard Duff, Dorothy Hart, Willard Parker.Comanche Territory (Orgullo de comanche). 1950. 76 minutos. Techni color. Universal. Maureen O’Hara, MacDonald Carey, Will Geer.Tomahawk (El piel roja). 1951. 82 minutos. Technicolor. Universal. Yvo n ne De Carlo, Van Heflin, Preston Foster, Rock Hudson.The Battle at Apache Pass. 1951. 85 minutos. Technicolor. Universal. John Lund, Jeff Chandler, Beverly Tyler, Susan Cabot.The Lone Hand. 1953. 80 minutos. Technicolor. Universal. Joel McCrea, Barbara Hale, Alex Nicol.War Arrow (Asalto al Fuerte Clark). 1954. 78 minutos. Technicolor. Uni versal. Jeff Chandler, Maureen O’Hara, John McIntire, Suzan Ball.Border River. 1954. 81 minutos. Technicolor. Universal. Joel McCrea, Yvon ne De Carlo, Pedro Armendariz.Dawn at Socorro. 1954. 80 minutos. Technicolor. Universal. Rory Calhoun, Piper Laurie, David Brian, Kathleen Hugues.Chief Crazy Horse (El gran jefe). 1955. 86 minutos. Technicolor. Cinema - Scope. Universal. Victor Mature, Suzan Ball, John Lund, Ray Danton.Count Three and Pray. 1955. 102 minutos. Technicolor. CinemaScope. Co pa Productions (Columbia). Van Heflin, Joanne Woodward, Phil Carey.The Treasure of Pancho Villa (El tesoro de Pancho Villa). 1955. 96 min. Technicolor. Superscope. RKO. Rory Calhoun, S. Winters, Gilbert Roland.Comanche (Duelo de razas). 1956. 87 minutos. Color DeLuxe. Cinema Sco pe. UA. Dana Andrews, Kent Smith, John Litel, Linda Cristal.Reprisal! 1956. 74 minutos. Technicolor. Lewis J. Rachmil (Columbia). Guy Madison, Felicia Farr, Kathryn Grant.The Hard Man. 1957. 80 minutos. Technicolor. Romson (Columbia). Guy Madison, Valerie French, Lorne Greene.The Last of the Fast Guns. 1958. 82 minutos. Eastmancolor. CinemaScope. Universal. Jock Mahoney, Eduard Franz, Gilbert Roland, Linda Cristal.Ten Days to Tulara. 1958. 77 minutos. Blanco y Negro. UA. Sterling Hay den, Grace Raynor.Hell Bent for Leather. 1960. 82 minutos. Eastmancolor. Panavision. Uni versal. Audie Murphy, Stephen McNally, Felicia Farr.For the Love of Mike. 1960. 87 minutos. Color DeLuxe. CinemaScope. Fox. Richard Basehart, Stuart Edwin, Elsa Cardenas.Joaquin Murrieta. 1965. 108 minutos. Eastmancolor. Pro-Artis Iberica. Jeffrey Hunter, Arthur Kennedy, Sara Lezana, Diana Lorys.Smoky. 1966. 103 minutos. Color DeLuxe. Fox. Fess Parker, Katy Jurado, Diana Hyland.Big Jake (El gran Jack). 1971. 110 minutos. Technicolor. Panavision. Natio nal General. John Wayne, Richard Boone, Maureen O’Hara.English-Spanish dictionary of western films > Sherman, George
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